A blend of space opera, queer romance, and high-stakes dystopia, this story will appeal to a broad audience.
Three young people in a post-Earth world work together to uncover a mystery.
Anna is a gifted mechanic bucking the laws against technology. Nathaniel, son of the abusive and powerful Commissioner, just wants to make his father happy. And Eliza, who has dedicated her life to serving as the Queen’s spy, is loyally preparing for a strategic marriage. Set in a distant future where humans have fled to space and are searching for a safe terrestrial home after destroying Earth, these three have to navigate their differing agendas, burgeoning identities, and a strange illness that attacks the hearts of anyone born on Earth Adjacent. The easily followed plot twists and turns between them, and debut author Thor departs from clichés in the genre in interesting and modern ways; Nathaniel explores an asexual and aromantic orientation while Eliza and Anna develop a steamy connection. The main characters are cued as white, but racial identity categories don’t seem to have survived the apocalypse, nor did anything resembling a community for LGBTQ people. The prose becomes a bit labored and graceless at times, with an occasionally dragging plot, but the worldbuilding and sympathetic characters will keep readers invested in this strange but plausible future.
A blend of space opera, queer romance, and high-stakes dystopia, this story will appeal to a broad audience. (Science fiction. 14-18)Pub Date: Oct. 15, 2019
ISBN: 978-1-338-31227-0
Page Count: 384
Publisher: Scholastic
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 15, 2019
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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