Buzz-worthy.

READ REVIEW

DON'T WORRY, BEE HAPPY

From the Bumble and Bee series , Vol. 1

Two bees show a frog that friendship is as sweet as honey.

In the first of three short chapters, Bumble (a bumblebee) and Bee (a honeybee) are absolutely thrilled it’s “Best Friends Picture Day.” But Froggy wishes they were somewhere else. Not even counting to three and saying “BEES!” elicits a smile as big as Bumble’s or Bee’s. Froggy just frowns. The insects devise a brilliant plan to turn Froggy’s frown upside down—literally. In the next chapter, Bumble and Bee show their compassionate sides and scare Froggy out of a bad case of the hiccups. The final chapter sees the bees showing off their “Waggle Dance” (an actual communication method among honeybees) while trying to get Froggy to follow along. With their quick pace and comic-book layout, the chapters function like miniature cartoon episodes. Burach’s well-structured, thick-outlined panels create a rhythm to each punchline—and the punny jokes just keep coming. The bees’ theatrics and infectious enthusiasm pitted against Froggy’s deadpan dryness place the trio on par with greats like Bob Shea’s Ballet Cat and Sparkles or Mo Willems’ Piggie and Gerald. The stories are told almost entirely in dialogue; color-coded speech bubbles (yellow for Bee, green for Froggy, and orange for Bumble) max out at three per panel. The bright colors, expressive characters, and attention to detail will attract multiple reads. Readers will eagerly await the future planned books in the series.

Buzz-worthy. (Graphic early reader. 4-6)

Pub Date: Dec. 26, 2019

ISBN: 978-1-338-50492-7

Page Count: 48

Publisher: Scholastic

Review Posted Online: Aug. 26, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.

THE SCARECROW

Ferry and the Fans portray a popular seasonal character’s unlikely friendship.

Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.

A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-0-06-247576-3

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: May 8, 2019

Kirkus Reviews Issue: June 1, 2019

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THIS BOOK IS GRAY

A gray character tries to write an all-gray book.

The six primary and secondary colors are building a rainbow, each contributing the hue of their own body, and Gray feels forlorn and left out because rainbows contain no gray. So Gray—who, like the other characters, has a solid, triangular body, a doodle-style face, and stick limbs—sets off alone to create “the GRAYest book ever.” His book inside a book shows a peaceful gray cliff house near a gray sea with gentle whitecaps; his three gray characters—hippo, wolf, kitten—wait for their arc to begin. But then the primaries arrive and call the gray scene “dismal, bleak, and gloomy.” The secondaries show up too, and soon everyone’s overrunning Gray’s creation. When Gray refuses to let White and Black participate, astute readers will note the flaw: White and black (the colors) had already been included in the early all-gray spreads. Ironically, Gray’s book within a book displays calm, passable art while the metabook’s unsubtle illustrations and sloppy design make for cramped and crowded pages that are too busy to hold visual focus. The speech-bubble dialogue’s snappy enough (Blue calls people “dude,” and there are puns). A convoluted moral muddles the core artistic question—whether a whole book can be gray—and instead highlights a trite message about working together.

Low grade. (glossary) (Picture book. 4-6)

Pub Date: Dec. 1, 2019

ISBN: 978-1-5420-4340-3

Page Count: 40

Publisher: Two Lions

Review Posted Online: July 23, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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