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THE 1000 YEAR OLD BOY

The sweet and sour of immortality infuses a heady, heartbreaking, occasionally humorous tale.

When one’s permanently stuck at age 11, living forever can lose its appeal.

Being one of the legendary “Neverdead” thanks to a magic potion, Alve (aka “Alfie”) has spent the past millennium or so with his equally immortal mom and cat, just getting by and keeping out of sight. What has become increasingly difficult in today’s Britain turns impossible when, tragically, his mother is killed (they are not invulnerable) in a house fire—leaving him injured, traumatized, and all too exposed to local police and social services. Fortunately, there’s an antidote to the potion. Unfortunately, he’s outwardly 11 (albeit polylingual, classically educated, and well versed in 17th-century fighting techniques) and owns nothing except a rescued trunk of autographed Dickens first editions. Welford gives his world-weary protagonist several resourceful allies led by Roxy Minto, a young neighbor of West Indian descent with a big personality, and her naïve but game sidekick, Aidan (who, like Alve, presents as white and who shares narration duties with him). Alve not only has to cope with modern life and elude civil authorities, but also to evade a brutal adversary who’s been after the antidote for centuries. If readers find themselves wishing for more than tantalizing glimpses of Alve’s experiences in earlier centuries, his immediate plight is absorbing, as sharply felt as both the weight of all those years and the shining promise of being able to grow up at last.

The sweet and sour of immortality infuses a heady, heartbreaking, occasionally humorous tale. (Fantasy. 11-13)

Pub Date: Oct. 8, 2019

ISBN: 978-0-525-70745-5

Page Count: 400

Publisher: Schwartz & Wade/Random

Review Posted Online: Aug. 25, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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THE LAST EVER AFTER

From the School for Good and Evil series , Vol. 3

Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and...

Good has won every fairy-tale contest with Evil for centuries, but a dark sorcerer’s scheme to turn the tables comes to fruition in this ponderous closer.

Broadening conflict swirls around frenemies Agatha and Sophie as the latter joins rejuvenated School Master Rafal, who has dispatched an army of villains from Capt. Hook to various evil stepmothers to take stabs (literally) at changing the ends of their stories. Meanwhile, amid a general slaughter of dwarves and billy goats, Agatha and her rigid but educable true love, Tedros, flee for protection to the League of Thirteen. This turns out to be a company of geriatric versions of characters, from Hansel and Gretel (in wheelchairs) to fat and shrewish Cinderella, led by an enigmatic Merlin. As the tale moves slowly toward climactic battles and choices, Chainani further lightens the load by stuffing it with memes ranging from a magic ring that must be destroyed and a “maleficent” gown for Sophie to this oddly familiar line: “Of all the tales in all the kingdoms in all the Woods, you had to walk into mine.” Rafal’s plan turns out to be an attempt to prove that love can be twisted into an instrument of Evil. Though the proposition eventually founders on the twin rocks of true friendship and family ties, talk of “balance” in the aftermath at least promises to give Evil a fighting chance in future fairy tales. Bruno’s polished vignettes at each chapter’s head and elsewhere add sophisticated visual notes.

Ultimately more than a little full of itself, but well-stocked with big themes, inventively spun fairy-tale tropes, and flashes of hilarity. (Fantasy. 11-13)

Pub Date: July 21, 2015

ISBN: 978-0-06-210495-3

Page Count: 672

Publisher: Harper/HarperCollins

Review Posted Online: June 25, 2015

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THE GOOD THIEVES

Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure

A Prohibition-era child enlists a gifted pickpocket and a pair of budding circus performers in a clever ruse to save her ancestral home from being stolen by developers.

Rundell sets her iron-jawed protagonist on a seemingly impossible quest: to break into the ramshackle Hudson River castle from which her grieving grandfather has been abruptly evicted by unscrupulous con man Victor Sorrotore and recover a fabulously valuable hidden emerald. Laying out an elaborate scheme in a notebook that itself turns out to be an integral part of the ensuing caper, Vita, only slowed by a bout with polio years before, enlists a team of helpers. Silk, a light-fingered orphan, aspiring aerialist Samuel Kawadza, and Arkady, a Russian lad with a remarkable affinity for and with animals, all join her in a series of expeditions, mostly nocturnal, through and under Manhattan. The city never comes to life the way the human characters do (Vita, for instance, “had six kinds of smile, and five of them were real”) but often does have a tangible presence, and notwithstanding Vita’s encounter with a (rather anachronistically styled) “Latina” librarian, period attitudes toward race and class are convincingly drawn. Vita, Silk, and Arkady all present white; Samuel, a Shona immigrant from Southern Rhodesia, is the only primary character of color. Santoso’s vignettes of, mostly, animals and small items add occasional visual grace notes.

Narrow squeaks aplenty combine with bursts of lyrical prose for a satisfying adventure . (Historical fiction. 11-13)

Pub Date: Aug. 27, 2019

ISBN: 978-1-4814-1948-2

Page Count: 272

Publisher: Simon & Schuster

Review Posted Online: May 25, 2019

Kirkus Reviews Issue: June 15, 2019

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