by Roxana Arama ‧ RELEASE DATE: March 7, 2025
An uneven but often thought-provoking narrative about a clash between science and religion.
Awards & Accolades
Our Verdict
GET IT
An android battles a dictatorial religious leader in Arama’s SF thriller.
The story begins in the year 1831 of the Lucretian Era, a very early indication that this novel involves multiple layers of complex worldbuilding. Yamir Varro, the chief neuroscientist at Connectome Labs, has uploaded a copy ofhis brain into the android Y1, who narrates approximately a third of the novel in journallike “Logfiles.” Initially, Y1 longs for the company of Yamir’s wife, who refuses to interact with an android, and he regrets how he treated his college-aged son: “I missed so many of his milestones—losing his first baby tooth, playing his first game of stickball, shaving for the first time—because I was always at work.” Yamir is a pioneer, and his lab is on the verge of a major breakthrough, butthe world’s largest organized religion, The Temple, does not endorse his work. Olma, the Temple’s science and technology supervisor, is tasked with monitoring all emerging research that falls outside the faith’s strictures, and the novel closely follows her progress in its early stages. The tension soon ratchets up as Yamir’s lab is sold by Grady Leos, its owner, to the Temple and the androids are tasked with forced labor on a Martian settlement, as the Temple believes their leader, El, wants humans to eventually populate the red planet. What follows is a power struggle that pits the desires of Y1, Yamir and his family, and Olma against one another in an often thrilling narrative. The thoughtful, depressed android is an intriguing central character throughout. However, his logfiles are often overly and off-puttingly technical—“The repairs to the ASV3 aren’t going well. Zaltana replaced the leg destroyed by the explosion with one taken from the ASV2, but not every input aligns”—as well as occasionally repetitive. The close third-person narration following Yamir and Olma also relies on frequent scene-setting to remind readers of the stakes involved, which can, at times, become tiresome. Still, the central story and frequent twists will keep engaged readers hooked to the end.
An uneven but often thought-provoking narrative about a clash between science and religion.Pub Date: March 7, 2025
ISBN: 9798989873159
Page Count: 367
Publisher: Dhawosia Publishing
Review Posted Online: Feb. 13, 2025
Kirkus Reviews Issue: April 1, 2025
Review Program: Kirkus Indie
Share your opinion of this book
More by Roxana Arama
BOOK REVIEW
by Roxana Arama
BOOK REVIEW
by Roxana Arama
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Awards & Accolades
Likes
475
Our Verdict
GET IT
New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
Share your opinion of this book
More by Max Brooks
BOOK REVIEW
by Max Brooks
More About This Book
BOOK TO SCREEN
by Ian McEwan ‧ RELEASE DATE: Sept. 23, 2025
A philosophically charged tour de force by one of the best living novelists in English.
Awards & Accolades
Our Verdict
GET IT
Kirkus Reviews'
Best Books Of 2025
New York Times Bestseller
A gravely post-apocalyptic tale that blends mystery with the academic novel.
McEwan’s first narrator, Thomas Metcalfe, is one of a vanishing breed, a humanities professor, who on a spring day in 2119, takes a ferry to a mountain hold, the Bodleian Snowdonia Library. The world has been remade by climate change, the subject of a course he teaches, “The Politics and Literature of the Inundation.” Nuclear war has irradiated the planet, while “markets and communities became cellular and self-reliant, as in early medieval times.” Nonetheless, the archipelago that is now Britain has managed to scrape up a little funding for the professor, who is on the trail of a poem, “A Corona for Vivien,” by the eminent poet Francis Blundy. Thanks to the resurrected internet, courtesy of Nigerian scientists, the professor has access to every bit of recorded human knowledge; already overwhelmed by data, scholars “have robbed the past of its privacy.” But McEwan’s great theme is revealed in his book’s title: How do we know what we think we know? Well, says the professor of his quarry, “I know all that they knew—and more, for I know some of their secrets and their futures, and the dates of their deaths.” And yet, and yet: “Corona” has been missing ever since it was read aloud at a small party in 2014, and for reasons that the professor can only guess at, for, as he counsels, “if you want your secrets kept, whisper them into the ear of your dearest, most trusted friend.” And so it is that in Part 2, where Vivien takes over the story as it unfolds a century earlier, a great and utterly unexpected secret is revealed about how the poem came to be and to disappear, lost to history and memory and the coppers.
A philosophically charged tour de force by one of the best living novelists in English.Pub Date: Sept. 23, 2025
ISBN: 9780593804728
Page Count: 320
Publisher: Knopf
Review Posted Online: May 24, 2025
Kirkus Reviews Issue: July 1, 2025
Share your opinion of this book
More by Ian McEwan
BOOK REVIEW
by Ian McEwan
BOOK REVIEW
by Ian McEwan
BOOK REVIEW
by Ian McEwan
More About This Book
PERSPECTIVES
PERSPECTIVES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.