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PEACE DANCER

From the Northwest Coast Legends series , Vol. 4

A rare variant of a nearly universal myth, with powerfully evocative illustrations.

A Tsimshian artist links a flood tale from his village to a frequently performed potlatch dance.

As in Vickers and Budd’s earlier Northwest Coast retelling, Cloudwalker (2014), richly colored woodblock-print illustrations add strong notes of mysticism and ritual to a tersely related episode. After a group of children heedlessly captures a crow and pulls out its feathers, floods cover the land and drive all the people into canoes. Their frantic prayers go unanswered until the Chief of the Heavens, seeing that the birds have no place to alight, restores peace to the land by letting the waters recede. The humbled people rebuild, renew their respect for all life, and commemorate the event forever after with a Peace Dance that is marked by shaking out eagle down for remembrance. The full-page illustrations begin with idyllic scenes of shorelines and boats, all overlaid with ghostly Northwest Coast motifs. Later, more-turbulent views of silhouetted figures amid swirling waves give way to a climactic double-page spread panorama of a restored, sunlit landscape rich in flora and distinctively stylized fauna. The story will likely be new to readers outside the culture; Vickers closes with a note on his own lineage and how he learned both the dance and the tale directly from elders.

A rare variant of a nearly universal myth, with powerfully evocative illustrations. (Picture book/folk tale. 6-8)

Pub Date: Aug. 27, 2016

ISBN: 978-1-55017-739-8

Page Count: 40

Publisher: Harbour Publishing

Review Posted Online: June 21, 2016

Kirkus Reviews Issue: July 1, 2016

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MUD PUDDLE

Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated...

The master of the manic patterned tale offers a newly buffed version of his first published book, with appropriately gloppy new illustrations.

Like the previous four iterations (orig. 1979; revised 2004, 2006, 2009), the plot remains intact through minor changes in wording: Each time young Jule Ann ventures outside in clean clothes, a nefarious mud puddle leaps out of a tree or off the roof to get her “completely all over muddy” and necessitate a vigorous parental scrubbing. Petricic gives the amorphous mud monster a particularly tarry look and texture in his scribbly, high-energy cartoon scenes. It's a formidable opponent, but the two bars of smelly soap that the resourceful child at last chucks at her attacker splatter it over the page and send it sputtering into permanent retreat.

Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated sound effects. (Picture book. 6-8)

Pub Date: Sept. 1, 2012

ISBN: 978-1-55451-427-4

Page Count: 32

Publisher: Annick Press

Review Posted Online: Aug. 7, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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DRAGON POST

Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names...

A lad finds a big red dragon in his basement and wisely seeks expert advice about its care and feeding in this epistolary episode.

Young Alexander’s missives (there are no cellphones, nor parents, in sight) are mostly paraphrased rather than shown, but each response comes as a small note folded into a pocket that’s been printed and shaped like an envelope: “Douse it in water right away!” writes panic-stricken fire chief H.Y. Drant; find it a large house or castle, advises B. East of World Animal Welfare; “fatten it up,” suggests Angus Teak the butcher (“Look forward to [eating, scratched out] meeting your dragon”) with sinister relish. Boy and dragon have wonderful times together, but the ultimate realization that dragons really don’t make good pets leads the narrator to follow the written advice of best friend Hillary (“the wisest person I knew”) and set it free. The later arrival of a slightly burned picture postcard in the “post” reassures him that the dragon won’t be forgetting to keep in touch. The human figures in Yarlett’s cartoon illustrations are either white or have their heads cut off at the page top. With the exception of the pasted-on postcard from the dragon at the end, all of the correspondence is removable and thereby losable.

Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names add some appeal. (Novelty. 6-8)

Pub Date: Dec. 1, 2018

ISBN: 978-1-61067-818-6

Page Count: 32

Publisher: Kane Miller

Review Posted Online: Aug. 26, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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