A thrill-free actioner that’s the perfect gift for friends who’ve been warned about their high blood pressure.
Once-blind Dr. Kendra Michaels and private eye Jessie Mercado investigate the kidnapping of the world’s most valuable young woman.
With the possible exception of Dr. Allison Walker, who’s tired of hosting her high-profile, paparazzi-rich visits to the Woodward Academy for the Physically Disabled, everyone loves superstar singer Delilah Winter. Her popularity is so immense that Jessie, who headed Dee’s security team before she decided that the star needed a friend more than she needed another employee beholden to her, is surprised that Dee’s scored her and Kendra a pair of tickets to her sold-out concert at the Hollywood Bowl. The two friends agree that it’s a wonderful event, but it ends with a crash when Dee disappears before she can sing an encore and the two bodyguards who are supposed to be protecting her are found dead. The women instantly snap to attention and give chase, but the kidnappers are too quick and too clever for them, and Dee is spirited away and held for a ransom of $20 million, a sum it probably took her several months to earn. Luckily, nobody has to raid her bank account, because her ex-boyfriend, billionaire social network developer Noah Calderon, first offers a reward of $5 million for her safe return, then volunteers to underwrite the entire ransom, since he’s probably made that much since breakfast. The first lovingly detailed ransom drop goes unexpectedly awry, but given the scant investment the Johansens invite readers to make in the new characters, the regulars, or the cookie-cutter suspense, it’s hard to imagine anyone except the heroines losing any sleep over the second.
A thrill-free actioner that’s the perfect gift for friends who’ve been warned about their high blood pressure.Pub Date: Feb. 2, 2021
ISBN: 978-1-5387-6288-2
Page Count: 352
Publisher: Grand Central Publishing
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.
Murder disrupts the filming of—what else?—The Word Is Murder, based on the first novel starring author Horowitz and his sometime partner, ex-copper Daniel Hawthorne.
With commendably dramatic timing, gofer Izzy Mays bursts into the middle of a pivotal shot on location at The Stade in Hastings to announce that Hawthorne’s been murdered. Of course, what she means (though Horowitz takes his time clarifying this ambiguity) is that David Caine, the rising star playing Hawthorne, has been fatally stabbed in the neck. Suspicion falls on James Aubrey, the agent Caine had just fired; Izzy, because Caine had caused her to be fired, too, though he ended up making his exit first; Ralph Seymour, the washed-up actor who’d returned from New Zealand to play Horowitz opposite Caine, his mortal enemy; and producer Teresa de León, who’s abruptly lost an important source of funding for the project; director Cy Truman; and screenwriter Shanika Harris, because why not? After Hawthorne builds meticulous hypothetical cases against several of these suspects, provoking Teresa’s apt rejoinder, “All those questions in the script and now you’re asking them for real,” he responds to Horowitz’s theory that he may have been the intended target after all by sharing a story from his early days as a private investigator in what ends up looking like the most elaborately extended red herring in the history of detective fiction. The two plots, past and present—or, to be more precise, past and present-day-adaptation-of-a-story-from-the-less-distant-past, are eventually woven together in ways only Horowitz’s most devoted fans will celebrate.
Yes, it has its playfully witty moments, but it’s a distinctly minor work in the author’s brainteasing canon.Pub Date: April 28, 2026
ISBN: 9780063305748
Page Count: 608
Publisher: Harper/HarperCollins
Review Posted Online: Jan. 19, 2026
Kirkus Reviews Issue: Feb. 15, 2026
BOOK REVIEW
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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