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FEAST

A HISTORY OF GRAND EATING

A broad and transporting canvas, as redolent of social nuance and detail as the pieces of cutlery on a Victorian table. (60...

An entertaining survey of the table, Babylonian to Edwardian, examining the political and social forces that shaped what appeared on it.

“The meal and everything connected with it has been and, to a very large extent still is, a vehicle determining status and hierarchy—and also aspiration—no matter what pattern of society prevails,” British historian Strong (The Cult of Elizabeth, 2000, etc.) writes. From way back when, conviviality has been a cornerstone of civilization, though in this case keystone may be more apt, as Strong concentrates on upper-crust eating. Each chapter revolves around an archetypal feast, including the Greeks’ banquets (“expressions of equality—equality, that is, between members of a distinct group sharing the same values, and also political power”), the Roman convivia (tense efforts to marry personal frugality with lavish hospitality), and the Dark Ages’ uncouth revels (“the main purpose of barbarian feasting was to get drunk”). For each epoch, Strong has found a work of literature (or a wide selection) that captures its essential tone: the dramatic spectacles of the 13th century, which introduced form and color to the table; the ritualism of Renaissance events at which “super-abundance and luxury [were] the sole indicators of political power and status”; and the loosening of the corsets at 18th-century court dinners, where “the atmosphere was one of high fashion, flirtation, wit, and gossip.” In each case, the author carefully draws the connections between what happened at the table and shifts in social power—for instance, “the division between an upper class that ate meat and a peasant class denied it,” made explicit “through the imposition of restrictive game laws”—while he also pays attention to the evolution of etiquette, furniture, place settings, interior decoration, and attendant amusements.

A broad and transporting canvas, as redolent of social nuance and detail as the pieces of cutlery on a Victorian table. (60 b&w illustrations)

Pub Date: Nov. 1, 2003

ISBN: 0-15-100758-6

Page Count: 368

Publisher: Harcourt

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2003

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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