Impressively well-researched historical fiction conveyed with dramatic verve.
In this third installment of a series, Anne of Brittany and her husband, Louis XII, the king of France, struggle to agree on a future husband for their daughter, a choice with high political stakes.
Initially, the decision regarding the marital future of Princess Claude of France is amicably made in the early 16th century by her parents. Both Anne and Louis select Charles of Luxembourg, not quite 2 years old, to one day marry their infant daughter. Their reasons for picking Charles, while different, are borne out of political strategy, lucidly depicted in this historical novel by Gaston (Anne and Louis: Passion and Politics in Early Renaissance France, 2018, etc.). Anne pushes the idea, knowing Charles is destined for great power: He’s the son of Philip of Burgundy, archduke of Austria and heir to the Holy Roman Empire, and Joanna of Castile, the daughter of Ferdinand, the king of Spain. Since Charles will one day become the Holy Roman emperor and Claude the duchess of Brittany, he surely would prevent the French usurpation of Brittany, preserving its sovereignty, a cause close to Anne’s heart. And Louis hopes that Ferdinand will support his interests in Italy. But Louis harbors a “secret desire” for Claude to wed Francis d’Angoulême, the son of a dead cousin, in order to maintain the throne within his own bloodline. Even after brokering the arrangement with Philip and Joanna, he furtively authorizes the composition of a new will that ensures the future matrimony of Claude and Francis, risking the astonished ire of Anne. In this engrossing volume of the Anne of Brittany series, the author deftly re-creates the complex political landscape of Europe, an entangled skein of agreements and acrimonies. Her mastery of the historical period is superb, and her portrayal of the social nuances of the day, painstakingly authentic. In addition, the relationship between Anne and Louis—romantically strong but politically disharmonious—is brought to vivid life (Louis’ “mind wandered to Anne. Would she remain loyal to him, should she find out one day that he had promised Claude to Francis? He could bear a rupture with Ferdinand, the Borgias, the Venetians, or the Florentines, but he couldn’t bear the thought of one with his wife”). This is a delightful blend of historical rigor and dramatic entertainment delivered in easily companionable prose.
Impressively well-researched historical fiction conveyed with dramatic verve.Pub Date: Dec. 12, 2019
ISBN: N/A
Page Count: 401
Publisher: Renaissance Editions
Review Posted Online: Nov. 12, 2019
Kirkus Reviews Issue: Jan. 15, 2020
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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