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THE ART OF LOOKING INTO THE FUTURE

THE FIVE PRINCIPLES OF TECHNOLOGICAL EVOLUTION

Consumerism will impel us toward a marvelous machine-made world, according to this ambitious treatise on economics and technological change.

Amblee, a software engineer, spotlights a handful of simple economic principles that he feels will mold the shape of things to come. Chief among them are the eternal desire for cheaper, better, more convenient goods and services; the drive for globalization and automation; and the need for cheap energy, the lack of which he believes is the primary cause of recessions. From these rather generic notions, the author derives tech-heavy prognostications of varying plausibility. Sensibly, he foresees remote testing equipment and computer programs performing routine medical diagnoses; less sensibly, he sees insurance companies making people wear monitoring devices that will pressure them to eat healthier food. Software linked to all-knowing financial databases will eliminate distortions in stock prices and bank lending, he contends, and thus forestall asset bubbles and end the business cycle. At restaurants, “dining tables will become digital, offering world information” that will enable us to work while we eat. Everything converges toward a future that offers “more quality, more precision” and “timelier service,” one where the main jobs will be “robot design, robot assembly, software development for robots, and so on,” and where “life will be so easy and comfortable you will wonder how people used to stand in long lines just to pay!” Amblee’s book reads like a mash-up of Adam Smith and Isaac Asimov rendered in the stilted prose and bewildering flow-charts of a marketing textbook. His forecasts are bold—living in “space cities,” we will be impervious to global warming and asteroid impacts—but often uninformed and naïve, more like arbitrary conjectures than careful analyses. (His solution to the energy crisis—self-replicating robot armies building solar power plants everywhere—ignores the complexities of resource and land constraints, power-grid stability, clouds and nighttime.) Amblee puts his finger on important trends, but his vision of a frantically competitive, callow, materialistic, “eco-free world” won’t convince everyone. A clouded window onto a future that robots will love.

 

Pub Date: Aug. 6, 2011

ISBN: 978-0983157403

Page Count: 227

Publisher: Gloture

Review Posted Online: Sept. 19, 2011

Kirkus Reviews Issue: Oct. 15, 2011

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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