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KIYA AND THE MORIAN TREASURE

Stirring and deft curtain raiser to a mayhem-filled, girl-powered YA/SF saga that doesn’t talk down to readers.

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A daughter of a galactic peace activist kidnapped by bloodthirsty space pirates finds herself under the protection of interstellar adventurer Kiya.

Mellette hails from a background of script work on Hollywood properties, including Xena: Warrior Princess,and YA material. Both combine as backdrop for this space opera, intended as a series launch. Nadir is the smart, sheltered young daughter of interplanetary ambassador/ardent pacifist Sir Janus Alotus, who’s determined to stop deadly rampages of sadistic space pirates and bandits. His travels have left him terminally ill of the same space-borne plague that killed his wife. He now intends to surrender himself to despicable warlord Adm. Ghan and die in the villain’s lair in martyrdom as an example to enlighten others to the golden rule (Christ-like is not an adjective used here, but readers will get the idea). Kiya Moria, a muscular, fearsome pilot, is hired to deliver Sir Janus to the plunderers’ world and safeguard Nadir, but Ghan’s greedy minions strike first, led by Derek, a dashing scoundrel and Kiya’s estranged quasi-boyfriend. Derek seizes the father, while Nadir winds up under Kiya’s extended protection for episodes of battles and escapes that also manage to deliver a connected backstory: Kiya’s own piratical father supposedly secreted a great treasure before wiping his daughter’s memory. In rooting out clues, Kiya and Nadir will play roles in some sort of apocalyptic denouement. A nice touch by Mellette is yoking the pulpy action to the Tick, the narrative’s faster-than-light spaceship. A method of covering vast distances by deleting time, it subjects unwary spacefarers to all eternity simultaneously, spawning madness, precognition, and its own mystic religion. Another good move—not slathering on too much cuteness. The plot involves rough stuff; there’s death and destruction, and any potential animal sidekicks are quickly slain. Mellette keeps pages flying and nimbly sidesteps most pitfalls of YA fantasy. One quibble: Why name a sharp hero/narrator Nadir? Maybe the astronomical definition applies.

Stirring and deft curtain raiser to a mayhem-filled, girl-powered YA/SF saga that doesn’t talk down to readers.

Pub Date: April 26, 2022

ISBN: 978-1-940180-20-5

Page Count: 260

Publisher: manuscript

Review Posted Online: Jan. 12, 2022

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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