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THE HIGHEST EXAM

HOW THE GAOKAO SHAPES CHINA

A detailed history of China’s educational testing system illuminates the nation’s values in a competitive world.

Testing, testing…

China’s gaokao is the nation’s “highest exam,” administered to everyone who wishes to attend college. A legacy of the ancient imperial exam structure, the gaokao provides the opportunity for anyone, irrespective of background, to shine academically. Doing well on the exam ensures admission to a leading university and, afterward, to membership in the elite economic, social, and political strata of modern China. This book by three scholars presents a history of the exam, told through their personal experiences and framed as a socioeconomic study of Chinese ambition in the 21st century. The gaokao serves as an example of the highly centralized structure of Chinese life. Just as central planning governs much of urban and rural life, so too does the system of learning come from the top. The exam structure reflects not only the highly technocratic foci of Chinese advancement, but also its long-standing values. Hard work remains the most important thing. China, however, is no straightforward meritocracy. “It’s not that China’s people are idealists who only believe in the power of an exam to predict intelligence,” the authors write. “Rather, China is a society known for connections and petty corruption—hence, the weakness of its institutions.” Children spend their lives taking exams, and family connections help with tutors and retesting. Teachers are not just paid; they are often personally compensated for a child’s education. The “murky waters of corruption in China” wash over this highly centralized system of advancement. And while success is quantified by score, and while that score stays with the student throughout life, failure is equally branding. This book paints a landscape of vast inequality passing itself off as meritocracy—an exposé of an increasingly powerful global nation and a warning to any society, east or west, that still believes in teaching to the test.

A detailed history of China’s educational testing system illuminates the nation’s values in a competitive world.

Pub Date: Sept. 9, 2025

ISBN: 9780674295391

Page Count: 240

Publisher: Belknap/Harvard Univ.

Review Posted Online: May 15, 2025

Kirkus Reviews Issue: June 15, 2025

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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THE BACKYARD BIRD CHRONICLES

An ebullient nature lover’s paean to birds.

A charming bird journey with the bestselling author.

In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”

An ebullient nature lover’s paean to birds.

Pub Date: April 23, 2024

ISBN: 9780593536131

Page Count: 320

Publisher: Knopf

Review Posted Online: Jan. 19, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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