by Ruixue Jia & Hongbin Li with Claire Cousineau ‧ RELEASE DATE: Sept. 9, 2025
A detailed history of China’s educational testing system illuminates the nation’s values in a competitive world.
Testing, testing…
China’s gaokao is the nation’s “highest exam,” administered to everyone who wishes to attend college. A legacy of the ancient imperial exam structure, the gaokao provides the opportunity for anyone, irrespective of background, to shine academically. Doing well on the exam ensures admission to a leading university and, afterward, to membership in the elite economic, social, and political strata of modern China. This book by three scholars presents a history of the exam, told through their personal experiences and framed as a socioeconomic study of Chinese ambition in the 21st century. The gaokao serves as an example of the highly centralized structure of Chinese life. Just as central planning governs much of urban and rural life, so too does the system of learning come from the top. The exam structure reflects not only the highly technocratic foci of Chinese advancement, but also its long-standing values. Hard work remains the most important thing. China, however, is no straightforward meritocracy. “It’s not that China’s people are idealists who only believe in the power of an exam to predict intelligence,” the authors write. “Rather, China is a society known for connections and petty corruption—hence, the weakness of its institutions.” Children spend their lives taking exams, and family connections help with tutors and retesting. Teachers are not just paid; they are often personally compensated for a child’s education. The “murky waters of corruption in China” wash over this highly centralized system of advancement. And while success is quantified by score, and while that score stays with the student throughout life, failure is equally branding. This book paints a landscape of vast inequality passing itself off as meritocracy—an exposé of an increasingly powerful global nation and a warning to any society, east or west, that still believes in teaching to the test.
A detailed history of China’s educational testing system illuminates the nation’s values in a competitive world.Pub Date: Sept. 9, 2025
ISBN: 9780674295391
Page Count: 240
Publisher: Belknap/Harvard Univ.
Review Posted Online: May 15, 2025
Kirkus Reviews Issue: June 15, 2025
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by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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by David Sedaris ‧ RELEASE DATE: May 29, 2018
Sedaris at his darkest—and his best.
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Best Books Of 2018
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In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
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by David Sedaris ; illustrated by Ian Falconer
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