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BEETHOVEN’S HAIR

AN EXTRAORDINARY HISTORICAL ODYSSEY AND A MUSICAL MYSTERY SOLVED

First-class history, and a fascinating exposition of forensic science.

An engrossing tale of an odd subject—a chance snipping of Beethoven’s hair and its perilous journey into the 21st century.

In 1827, on his deathbed, Ludwig van Beethoven was visited by his friend, the composer Johann Nepomuk Hummel. In tow was Hummel’s talented 15-year-old pupil, Ferdinand Hiller, who was, not surprisingly, thrilled to be presented to the musical genius. On a subsequent visit some days later the two found the great man dead. The awestruck Hiller asked and received permission from Hummel to clip a lock of the deceased’s hair, a common practice in those days. Hiller, the son of a well-off Jewish merchant who had converted to Christianity, became a competent, but now mostly forgotten, composer. He had the lock framed and treasured it the rest of his life, presenting it to his son Paul shortly before his death in 1885. From that point on, the history of the lock remained murky until a few years ago, when it ended up in the joint possession of two Arizonans with the unlikely names of Ira Brilliant and Alfredo (“Che”) Guevara. In this quirky but enjoyable work, Martin (Out of Silence, not reviewed) sifts through the evidence he has unearthed and provides a highly entertaining and believable account of what happened to the lock during those missing years—amounting to a thumbnail biography of Beethoven that is eventually overshadowed by an account of the Third Reich’s persecution of the Jews. While some might object to this as gimmickry, Martin pulls it off, owing to his solid research and respect for the reader. While obviously enthusiastic, he never goes over the top. He suggests answers to numerous riddles, but he does not insist on their solutions, letting the reader decide. When, toward the end of the book, the author writes of DNA tests on the hair that reveal new answers to the causes of Beethoven’s deafness and death, even the skeptic will share his enthusiasm for this peculiar subject.

First-class history, and a fascinating exposition of forensic science.

Pub Date: Oct. 17, 2000

ISBN: 0-7679-0350-1

Page Count: 256

Publisher: Broadway

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2000

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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