By the author of A Lovely Time Was Had by All (1982) and other stories about happy-to-abrasive mixes and match-ups among friends, lovers, and married couples in small New Hampshire towns: a sequel that chronicles the 30-year career of Henrietta Snow (``Snowy'') from The Cheerleader (1973). In 1957, Snowy, at Bennington College on scholarship, is able to forget about Tom Forbes, her high-school passion, thanks to excitement about college, a great roommate, and heavy thoughts about Life and Sex. There'll be adventures like: the wild, totally naked escape from the Sleepytime Motor Lodge in the car of two outwitted college men; the misery of bringing a sophisticated roommate home to have apple pie (with a slice of Velveeta) with Mom and Dad; and the exhilaration of a first job and living free in the big city (Boston), where at last a rift between Snowy and best friend Bev is healed. Friends marry and move away; then Snowy meets Alan, and it's love and bed at first meeting. Their honeymoon will be a seasick trip to Nova Scotia. The happy gallop of time then turns to a treadmill trot as a daughter is born but parents sicken and die. By 1987, Snowy has published several books of poetry (the author unwisely presents a sample), and Alan, chafing against working for others, owns and operates a general store, where Snowy, now with full-blown agoraphobia, is little help. After a neighbor's Fabulous Fifties Party— where reconstructing the artifacts and ways of the decade is both dutiful and sadly ridiculous—an unthinkable tragedy occurs. Yet Snowy will survive to find an old promise kept after a mountaintop wedding and reunion of friends and lovers. MacDougal faithfully chronicles the barrage of pleasures and miseries that pepper a life, to the tick of time, among her curiously passive, bright-talking people—attractive and busy but hollow as a drum. With enjoyable period detail.
Pub Date: Sept. 7, 1993
ISBN: 0-312-09913-4
Page Count: 384
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1993
BOOK REVIEW
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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