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COMMUNICATING

An approachable yet impressively rigorous study of various forms of language.

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Finnegan, an academic linguist, argues for a more expansive interpretation of communication.

Proponents of the dominant theories of human discourse, the author observes, tend to see its development as a “one-way ladder” that ascends from primitive to increasingly more sophisticated forms, culminating in speech. This interpretative approach, often “logocentric” (focused on words as communication) and “unidimensional,” overly privileges Western civilization as a paradigm of communication, but it also neglects the full richness of communication, which the author defines as the “purposive, organised and mutually recognisable process in which individuals actively interconnect with each other.” This more inclusive understanding not only focuses on verbal speech, or on the conveyance of information, but also on interconnection provided by all the senses. Communication thus may be emancipated from verbal text, she asserts. Finnegan then explores, with great subtlety and insight, the multifarious expressions of communication in dance and rituals—to name only two of the communication methods she discusses. The author also discusses what she admits is the “deeply contentious area” of paranormal encounters and extrasensory communication. Throughout, Finnegan doesn’t treat communicative modalities as distinct from the social conditions from which they arise; instead, she shows how they’re mediated by cultural context. Ultimately, her view of communication is so convincingly broad that she’s able to emphasize the “human-animal continuity,” in which other species connect in remarkably complex ways, and how this idea can be used to illuminate human means of interconnection. The author aims for a popularly accessible study that avoids an overly granular survey of the academic literature; the result is an engaging, straightforward work likely to appeal to the curious nonprofessional—one that’s free of turgid jargon, but still intellectually exacting. Finnegan doesn’t ignore the more traditional elements of communication, nor does she neglect to acknowledge the “predominantly audiovisual” orientation of humans. She offers a challenging counterpoint to theories that reduce such communication to their cognitive or evolutionary parts, instead sketching a theory of far greater depth.

An approachable yet impressively rigorous study of various forms of language.

Pub Date: Oct. 30, 2023

ISBN: 9781032490397

Page Count: 338

Publisher: Routledge

Review Posted Online: Feb. 29, 2024

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THE RISE AND FALL OF THE ARTIFICIAL STATE

A deeply learned dive into the frightening visions of technocrats past and present.

The noted historian and New Yorker staffer looks into a future ruled by machines.

Thirty-odd years ago, writes Lepore, liberal democracies of old were being transformed into both authoritarian or autocratic regimes and by “automatocracy, rule by automation, government by machine-driven computation, prediction, and persuasion.” In this pointed rejoinder to Hannah Arendt’s Origins of Totalitarianism (1951), which foresaw a world in which humans were essentially superfluous, Lepore charts a long history that extends deep into the “machine age,” beginning in the 17th century, which saw “the artificial as existing not only outside the natural but above it, an improvement upon it.” In this conception, humans were fallible, while machines faithfully and unfailingly obeyed the rules set for them. A logical progression followed in the 1920s with the rise of the Technocracy movement, a variety of fascism widely accepted in the U.S. that held that far from being free and equal, humans should be governed by scientists and engineers who alone “have the intelligence and education to understand the industrial operations that lie at the heart of twentieth-century life.” It’s a short hop from there to the present, with tech billionaires pushing AI and, in the case of the influential “self-described ‘neo-monarchist’” Curtis Yarvin, a dictatorship aided by it. In all this, Lepore writes, it is not just the human animal that suffers but all animals and all habitats, which can only worsen with the incessant demands for energy, rare earths, and water that AI requires. And what “humans crave, in that artificial world, is nature,” a nature that is increasingly silenced. This undemocratic world, benefiting only the wealthy at the expense of all else, is a prison of screens and keyboards from which, she writes memorably, “What is required is to imagine an escape, and then to conduct it.”

A deeply learned dive into the frightening visions of technocrats past and present.

Pub Date: Aug. 25, 2026

ISBN: 9781324098423

Page Count: 320

Publisher: Liveright/Norton

Review Posted Online: May 18, 2026

Kirkus Reviews Issue: June 15, 2026

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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