Etiquette, it seems, is a complex and involved business, but Goodman helps us navigate the shoals of another era's...
With exhaustive research and in gleeful detail, Goodman (How to Be a Tudor, 2016, etc.) explores the gamut of misconduct in Stuart and Tudor England, including offensive speech and gestures, the perverse delights of mockery and ridicule, the ripostes of physical violence, and a gallery of repellent habits and repulsive displays of bodily functions.
The author has a wicked taste for the objectionable and the wit to deliver it in a wholly enjoyable, even educational way. However, there is a more serious undertone to all of this impropriety, one that regards appropriate comportment and courtesy rituals as the lubrication of societal harmony. Likewise addressed are gender-based double standards (some of which still persist), the religious and public health basis of many of our behavioral prohibitions, dueling, expectations within hierarchies, power dynamics and, not least, British class consciousness. The book overflows with historical curiosities, interesting asides, and eyebrow-raising aha moments. Goodman also shows how one period's grave insult, verbal or gestural, was trifling to the next, even within the space of a generation or two. “Different behaviors shifted from good to bad and back again with disconcerting frequency,” writes the author, requiring a chameleon's adaptability. Goodman’s voice is tongue-in-cheek as often as scholarly, revealing how much of today's uncouth and loutish behavior has its antecedents in Elizabethan times. The book also is a primer for modern-day mischief-makers who can't resist thumbing their noses at the social mores of the “respectables.” The author posits that bad behavior can be far more revealing of a time and culture than the exercise of rectitude, largely because history has reckoned with it far more eagerly. She demonstrates this truism with a wealth of amusing evidence. Still, it can be a bit much; even Miss Manners might tire of so much minutiae.
Etiquette, it seems, is a complex and involved business, but Goodman helps us navigate the shoals of another era's sensibilities in a way that is also illuminating of our own.Pub Date: Oct. 9, 2018
ISBN: 978-1-63149-511-3
Page Count: 320
Publisher: Liveright/Norton
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
In this meticulously detailed and evocative book, history comes alive, and it isn’t pretty.
A meditation on Austria’s capitulation to the Nazis. The book won the 2017 Prix Goncourt.
Vuillard (Sorrow of the Earth: Buffalo Bill, Sitting Bull and the Tragedy of Show Business, 2017, etc.) is also a filmmaker, and these episodic vignettes have a cinematic quality to them. “The play is about to begin,” he writes on the first page, “but the curtain won’t rise….Even though the twentieth of February 1933 was not just any other day, most people spent the morning grinding away, immersed in the great, decent fallacy of work, with its small gestures that enfold a silent, conventional truth and reduce the entire epic of our lives to a diligent pantomime.” Having established his command of tone, the author proceeds through devastating character portraits of Hitler and Goebbels, who seduced and bullied their appeasers into believing that short-term accommodations would pay long-term dividends. The cold calculations of Austria’s captains of industries and the pathetic negotiations of leaders who knew that their protestations were mainly for show suggest the complicated complicity of a country where young women screamed for Hitler as if he were a teen idol. “The bride was willing; this was no rape, as some have claimed, but a proper wedding,” writes Vuillard. Yet the consummation was by no means as smoothly triumphant as the Nazi newsreels have depicted. The army’s entry into Austria was less a blitzkrieg than a mechanical breakdown, one that found Hitler stalled behind the tanks that refused to move as those prepared to hail his emergence wondered what had happened. “For it wasn’t only a few isolated tanks that had broken down,” writes the author, “not just the occasional armored truck—no, it was the vast majority of the great German army, and the road was now entirely blocked. It was like a slapstick comedy!” In the aftermath, some of those most responsible for Austria’s fall faced death by hanging, but at least one received an American professorship.
In this meticulously detailed and evocative book, history comes alive, and it isn’t pretty.Pub Date: Sept. 25, 2018
ISBN: 978-1-59051-969-1
Page Count: 144
Publisher: Other Press
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
GENERAL HISTORY | MODERN | WORLD | MILITARY | HISTORY
BOOK REVIEW
Occasionally unfocused, but redeems itself by putting a vivid, human face on an unimaginable nightmare.
A ground-level illustration of how the plague ravaged Europe.
For his tenth book, science writer Kelly (Three on the Edge, 1999, etc.) delivers a cultural history of the Black Death based on accounts left by those who witnessed the greatest natural disaster in human history. Spawned somewhere on the steppes of Central Asia, the plague arrived in Europe in 1347, when a Genoese ship carried it to Sicily from a trading post on the Black Sea. Over the next four years, at a time when, as the author notes, “nothing moved faster than the fastest horse,” the disease spread through the entire continent. Eventually, it claimed 25 million lives, one third of the European population. A thermonuclear war would be an equivalent disaster by today's standards, Kelly avers. Much of the narrative depends on the reminiscences of monks, doctors, and other literate people who buried corpses or cared for the sick. As a result, the author has plenty of anecdotes. Common scenes include dogs and children running naked, dirty, and wild through the streets of an empty village, their masters and parents dead; Jews burnt at the stake, scapegoats in a paranoid Christian world; and physicians at the University of Paris consulting the stars to divine cures. These tales give the author opportunities to show Europeans—filthy, malnourished, living in densely packed cities—as easy targets for rats and their plague-bearing fleas. They also allow him to ramble. Kelly has a tendency to lose the trail of the disease in favor of tangents about this or that king, pope, or battle. He returns to his topic only when he shifts to a different country or city in a new chapter, giving the book a haphazard feel. Remarkably, the story ends on a hopeful note. After so many perished, Europe was forced to develop new forms of technology to make up for the labor shortage, laying the groundwork for the modern era.
Occasionally unfocused, but redeems itself by putting a vivid, human face on an unimaginable nightmare.Pub Date: Feb. 1, 2005
ISBN: 0-06-000692-7
Page Count: 384
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2005
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