A madcap, vivid time-travel tale with a strong ensemble, both indebted and cheekily alluding to Doctor Who and Firefly.
A boy born beyond time and space finds he is running out of time to save the worlds.
Born aboard a time-traveling ship, 17-year-old Farway Gaius McCarthy dreams of being a Recorder like his missing mother, Empra McCarthy. Ejected from the Academy, Far goes rogue, working as an antiquities thief for a black-market baron. Acting as captain and Recorder of the Invictus, Far and his teenage crew—Historian Imogen, Far’s rainbow-haired cousin; Engineer Gram, a math genius; and Medic Priya, Far’s love interest—plus a mischievous red panda go on excellent adventures. But they alter their course after encountering the mysterious Eliot, a girl on a grim mission to stop the Fade from devouring the multiverse. They live in the future, but race is constructed as in the past: Farway, Imogen, and Eliot are white, Gram is black, and Priya is Indian. Action sequences are abundant, but the panicked, delirious prose and multiplicity of narrators make for a long read, counterintuitively. Graudin depicts the futuristic, high-tech world (2371 C.E.) and the fulsome and frenzied historical settings with equal richness, and her theory and mechanics of time traveling are remarkably coherent, if strongly reminiscent of Connie Willis’ works.
A madcap, vivid time-travel tale with a strong ensemble, both indebted and cheekily alluding to Doctor Who and Firefly. (Science fiction. 14-adult)Pub Date: Sept. 19, 2017
ISBN: 978-0-316-50307-5
Page Count: 464
Publisher: Little, Brown
Review Posted Online: May 9, 2017
Kirkus Reviews Issue: June 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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