An exuberant handbook for making the world better.
A fun book about “the edges of science, the limits of what’s currently possible thanks to the technology that humans have already invented or are currently inventing.”
North, an Eisner Award–winning writer for Marvel Comics, offers an entertaining manual illustrated with suitably farcical drawings by comics artist Monardo, imparting detailed advice for becoming a supervillain with the intention of tyrannizing everything and everyone in the universe. With a career spent designing “increasingly credible world-domination schemes,” North has confidence that they could work, even though in the world of comics those schemes are always foiled by superheroes. Nevertheless, prospective supervillains would do well to find a secret base for subversive activities, establish a separate country, and unleash aggressive animals, such as dinosaurs, revived through cloning. In addition, supervillains will want to control the weather, manage the power of the internet, and achieve enduring fame, if not physical immortality. Though North’s proposals are outlandish, he grounds them in physics, biology, history, geology, zoology, computer science, genetics, paleontology, and cryogenics, not to mention politics and international law. He suggests, for example, three ways to take land away from someone else to start your own country (through stealth, force, or persuasion), and he enumerates the pros and cons of taking over Antarctica. At each step, he offers a timeline and cost analysis. As for dealing with climate change, “an obvious solution presents itself to even the neophyte supervillain: take over the world and use your iron fist to crush anyone who even thinks about emitting carbon.” Supervillains and heroes alike often face obstinate foes, requiring them to wield political influence. “The way you force people in power to do what you want,” North writes, “is by ensuring that they fear you.” The author’s spoof contains a serious subtext: The world has lots of problems—climate change, war, inequality, computer hackers, disease, and rampant greed, among others—that can be addressed through understanding, focus, and determination. Knowledge, he proposes, is the greatest superpower of all.
An exuberant handbook for making the world better.Pub Date: March 15, 2022
ISBN: 978-0-593-19201-6
Page Count: 416
Publisher: Riverhead
Review Posted Online: Dec. 28, 2021
Kirkus Reviews Issue: Feb. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A top-flight nonfiction debut from a unique artist.
The acclaimed director displays his talents as a film critic.
Tarantino’s collection of essays about the important movies of his formative years is packed with everything needed for a powerful review: facts about the work, context about the creative decisions, and whether or not it was successful. The Oscar-winning director of classic films like Pulp Fiction and Reservoir Dogs offers plenty of attitude with his thoughts on movies ranging from Animal House to Bullitt to The Texas Chainsaw Massacre to The Big Chill. Whether you agree with his assessments or not, he provides the original reporting and insights only a veteran director would notice, and his engaging style makes it impossible to leave an essay without learning something. The concepts he smashes together in two sentences about Taxi Driver would take a semester of film theory class to unpack. Taxi Driver isn’t a “paraphrased remake” of The Searchers like Bogdanovich’s What’s Up, Doc? is a paraphrased remake of Hawks’ Bringing Up Baby or De Palma’s Dressed To Kill is a paraphrased remake of Hitchcock’s Psycho. But it’s about as close as you can get to a paraphrased remake without actually being one. Robert De Niro’s taxi driving protagonist Travis Bickle is John Wayne’s Ethan Edwards. Like any good critic, Tarantino reveals bits of himself as he discusses the films that are important to him, recalling where he was when he first saw them and what the crowd was like. Perhaps not surprisingly, the author was raised by movie-loving parents who took him along to watch whatever they were watching, even if it included violent or sexual imagery. At the age of 8, he had seen the very adult MASH three times. Suddenly the dark humor of Kill Bill makes much more sense. With this collection, Tarantino offers well-researched love letters to his favorite movies of one of Hollywood’s most ambitious eras.
A top-flight nonfiction debut from a unique artist.Pub Date: Nov. 1, 2022
ISBN: 978-0-06-311258-2
Page Count: 400
Publisher: Harper/HarperCollins
Review Posted Online: Oct. 31, 2022
Kirkus Reviews Issue: Dec. 1, 2022
SEEN & HEARD
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