A terrific middle-grade debut for a classic DC antihero.
John Constantine joins the DC middle-grade stable.
John Constantine wasn’t always the dreamy occult detective envisioned by co-creator Alan Moore in the comics. This middle-grade graphic novel re-creates the character as Johnny Constantine, a fish-out-of-water Brit making his way in an American boarding school. On the run from some hostile spirits in his native England, Johnny hides out at the Junior Success Boarding School in Massachusetts. But America has its own fair share of demons—like Johnny’s homeroom teacher, Ms. Kayla. With the help of a fellow outcast named Anna (a character who may be more than what she seems), Johnny fights to reveal Ms. Kayla’s true nature. With crisp coloring and crackling panel work, this is the best of DC’s middle-grade graphic novels yet. A smart introduction to a lesser-known character, the novel benefits its main characters’ lack of all the cultural baggage that surrounds Batman, Wonder Woman, or Superman. Constantine’s mystical surroundings make for enchanting compositions, making this the best-looking DC book as well. Anna and Johnny develop an endearing friendship, and last-minute reveals will have DC fans tickled pink. Johnny and Anna are White, and Ms. Kayla is Black; overall, the student body appears to be diverse.
A terrific middle-grade debut for a classic DC antihero. (Graphic paranormal adventure. 9-12)Pub Date: June 1, 2021
ISBN: 978-1-77950-123-3
Page Count: 160
Publisher: DC
Review Posted Online: April 13, 2021
Kirkus Reviews Issue: May 1, 2021
BOOK REVIEW
BOOK REVIEW
Slick sleuthing punctuated by action on the boards and insights into differences that matter—and those that don’t.
Brothers, one neurodivergent, team up to shoot baskets and find a thief.
With the coach spit-bellowing at him to play better or get out, basketball tryouts are such a disaster for 11-year-old Green that he pelts out of the gym—becoming the chief suspect to everyone except his fiercely protective older brother, Cedar, when a valuable ring vanishes from the coach’s office. Used to being misunderstood, Green is less affected by the assumption of his guilt than Cedar, whose violent reactions risk his suspension. Switching narrative duties in alternating first-person chapters, the brothers join forces to search for clues to the real thief—amassing notes, eliminating possibilities (only with reluctance does Green discard Ringwraiths from his exhaustive list of possible perps), and, on the way to an ingenious denouement, discovering several schoolmates and grown-ups who, like Cedar, see Green as his own unique self, not just another “special needs” kid. In an author’s note, King writes that he based his title characters on family members, adding an element of conviction to his portrayals of Green as a smart, unathletic tween with a wry sense of humor and of Cedar’s attachment to him as founded in real affection, not just duty. Ultimately, the author finds positive qualities to accentuate in most of the rest of the cast too, ending on a tide of apologies and fence-mendings. Cedar and Green default to White.
Slick sleuthing punctuated by action on the boards and insights into differences that matter—and those that don’t. (Fiction. 9-12)Pub Date: Aug. 23, 2022
ISBN: 978-1-66590-261-8
Page Count: 272
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: May 9, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Fade to black and cue the applause!
From Selznick’s ever-generative mind comes a uniquely inventive story told in text, sequential art and period photographs and film.
Orphaned Hugo survives secretly in a Parisian train station (circa 1930). Obsessed with reconstructing a broken automaton, Hugo is convinced that it will write a message from his father that will save his life. Caught stealing small mechanical repair parts from the station’s toy shop, Hugo’s life intersects with the elderly shop owner and his goddaughter, Isabelle. The children are drawn together in solving the linked mysteries of the automaton and the identity of the artist, illusionist and pioneer filmmaker, Georges Méliès, long believed dead. Discovering that Isabelle’s godfather is Méliès, the two resurrect his films, his reputation and assure Hugo’s future. Opening with cinematic immediacy, a series of drawings immerses readers in Hugo’s mysterious world. Exquisitely chosen art sequences are sometimes stopped moments, sometimes moments of intense action and emotion. The book, an homage to early filmmakers as dreammakers, is elegantly designed to resemble the flickering experience of silent film melodramas.
Fade to black and cue the applause! (notes, film credits) (Fiction. 9-12)Pub Date: March 1, 2007
ISBN: 0-439-81378-6
Page Count: 544
Publisher: Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2007
SEEN & HEARD
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