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Sacred Mountains of China

AN EPIC HUMAN-POWERED ADVENTURE THROUGH A REMOTE WORLD

Weekend warriors who crave physical challenges can use Pyle’s colorful account to kick-start their own adventures.

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Photographer and filmmaker Pyle (The India Ride, 2014, etc.) returns with a fast-paced travel memoir about four months that changed his life.

A Canadian living in Shanghai, Pyle writes that his hikes on four sacred western Chinese mountains—Minya Konka, Amne Machin, Mount Kailash, and Kawa Karpo—didn’t lead to his spiritual epiphany or turn him into a “born-again, tree-hugging environmentalist.” Instead, he says, he became a better person due to the physical and mental challenges he overcame while hiking and camping in extreme weather conditions. In July 2013, he set off—with guides, donkeys, a cook, plenty of supplies, and a cameraman for documentary filming—to begin four separate journeys and walk more than 500 kilometers in majestic landscapes. Pyle’s spirited account often describes the local people, such as some older pilgrims who devoutly performed repeated prostrations around Amne Machin. Serious hikers will find helpful cultural information in Pyle’s friendly, first-person narrative; e.g., visitors should circumambulate the mountains because climbing straight to the top is considered sacrilegious. But some readers may be shocked by the high cost (one part of Pyle’s trip to Mount Kailash was about $6,300). Informative notes—descriptions of “trekkers’ feet” and “altitude sickness”—are highlighted in boxes throughout the text. Each mountain hike begins with a small map and ends with the author’s personal travel details (the best months to walk each trail, for example). The bulk of the memoir, however, recounts Pyle’s many difficulties due to changing environments—bitter cold that instantly froze water he was pouring into his oatmeal. The language is often vivid: “Dotted along the sides of the valley above us were several of the white tents that are home to semi-nomadic Tibetan yak herders who take their yaks up to the plateaus in the summer to feed on the lush grass.” Forty-eight gorgeous but disappointingly small color photographs (approximately 4.5 inches by 3 inches) are included. 

Weekend warriors who crave physical challenges can use Pyle’s colorful account to kick-start their own adventures. 

Pub Date: Nov. 2, 2015

ISBN: 978-0-9928644-1-5

Page Count: 184

Publisher: Ryan Pyle Productions

Review Posted Online: Dec. 1, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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