A satisfying love letter to a charming city that has many faces and identities.
One of America's most infamous river cities comes roaring to life in this haunting, enigmatic, and musical literary anthology.
A small town with big-city ambitions, a Catholic stronghold, home to one of the biggest breweries in the world, and a flyover town that was once one of the largest cities in the United States, St. Louis is a study in contrasts and contains an essence that is difficult to capture. In the latest in the publisher’s city anthologies series (previous volumes have covered Detroit, Milwaukee, Cincinnati, and Pittsburgh, among others), St. Louis–raised, Chicago-based journalist Schuessler presents a mix of prose and poetry. The book assumes the herculean task of bringing to life a city that is integral to American history while also proving unfindable on a map by most Americans. “St. Louis is undoubtedly fragmented, physically so in that the city is dissected by rivers, highways, walls, and fences; but also in a more insidious way,” writes the editor in the introduction. “It’s a city (like many) where race, class, religion, and zip code might as well be cards in a rigged poker game, where the winners’ prize is the ability to ignore that the losers have drastically shorter life expectancies. But it’s also a city of warmth, love, and beauty—especially in its contrasts.” Divided into three sections—Histories, Memories, and Realities—the anthology gives readers a dazzling portrait of a Midwestern city whose relationships among socio-economics, religion, civil rights, and class are consistently complex. In Nick Sacco's short essay, the writer discusses the complicated history of the city’s Italian immigrants, capturing that neighborhood's inexorable charm and racial and religious xenophobia. Jason Vasser-Elong's biting poetry brings to life the Delmar Loop, a vibrant area with a complicated racial history that inspired artists like Chuck Berry, while Alice Azure's poetry in “Downtown St. Louis” highlights that area's commercial vitality while also addressing the homeless population that is largely ignored.
A satisfying love letter to a charming city that has many faces and identities.Pub Date: June 4, 2019
ISBN: 978-1-948742-44-3
Page Count: 256
Publisher: Belt Publishing
Review Posted Online: March 23, 2019
Kirkus Reviews Issue: April 15, 2019
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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