by Ryan White ‧ RELEASE DATE: May 9, 2017
A feel-good biography for Parrotheads; others may want to pass.
The Mayor of Margaritaville gets mythic treatment in an adoring chronicle that looks back at his decadeslong career.
For many, Jimmy Buffett (b. 1946) endures simply as an icon of midlife escapism, forever grinning behind aviator-style sunglasses, beachwear, and his guitar. Former Oregonian sports and culture reporter White (Springsteen: Album by Album, 2014) further cultivates that legend, locating the beginning of Buffett’s unlikely rise to the predilections of a ship-hopping father who once yearned for a life of seafaring adventure. With that tone set, the author explores Buffett’s spawning grounds in and around Mississippi and Alabama with equal awe and wonder. When Buffett was born, notes the author, the town of Mobile was known as the “Mother of Mystics.” Making it as a musician in places like Nashville, New Orleans, and Key West was a mystical feat in and of itself. However affable, Buffett was something of a curious oddity in a town enamored with the sort of darkness embodied in the likes of Kris Kristofferson. But as Buffett’s pals explain, he always had the right mojo. As musician and talent scout Don Light remembers, “ ‘the people liked him.’ Not just the songs, they liked the singer….‘ If it was him and guitar, he could talk all evening.’ ” Fans also liked the freedom that the singer represented. Consequently, he was able to turn his laid-back lyrics and lifestyle into a powerful corporate brand responsible for a slew of chain restaurants, resorts, and assorted merchandise. In White’s account, how Buffett actually managed to become a multimillion-dollar mogul is far less important than the legend and lore behind the man. The author’s subject, however, is conspicuously absent from the career-spanning chronicle. Many of the direct quotes attributed to the artist are actually taken from various concert stages over the years, and they don't illuminate much outside of demonstrating Buffett to be a likable guy.
A feel-good biography for Parrotheads; others may want to pass.Pub Date: May 9, 2017
ISBN: 978-1-5011-3255-1
Page Count: 352
Publisher: N/A
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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by Charlayne Hunter-Gault ‧ RELEASE DATE: Nov. 1, 1992
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
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by Reyna Grande ‧ RELEASE DATE: Aug. 28, 2012
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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by Joshua Davis ; adapted by Reyna Grande
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edited by Reyna Grande & Sonia Guiñansaca
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by Reyna Grande
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