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TRAVELS WITH HERODOTUS

Author and subject, student and mentor, are perfectly matched. Illuminating reading for any aspiring journalist or travel...

Famed Polish writer and traveler Kapuscinski (The Shadow of the Sun, 2001, etc.), who died in January 2007, pays honor to antiquity’s “Father of History.”

Herodotus, the 5th-century chronicler, scarcely figured in the curriculum when Kapuscinski was going to university just after WWII. Though a Polish translation had been completed, he recalls in opening, it went unpublished throughout Josef Stalin’s remaining years, its pages full of subtle warnings that imperial overreach and the cruelty of rulers would always be avenged one day. When a Polish Herodotus finally did appear, it went into Kapuscinski’s suitcase courtesy of the newspaper editor who sent the young man, bad suit and all, off to India and China as a correspondent. As he recounts, he quickly realized that he knew nothing, that “the more words I knew, the richer, fuller, and more variegated would be the world that opened before me, and which I could capture.” Inspired by the commonsensical Herodotus, who tried to explain the world beyond their gates to his fellow Greeks, Kapuscinski embarked on a series of travels that he details in his many other books and describes, sometimes allusively, here. One episode finds him wandering through Nasserite, prohibitionist Cairo looking for a discreet place in which to pitch an empty beer bottle; another sees him alternately spied on and chanted to in China (“With each passing day I thought of the Great Wall more and more as the Great Metaphor”); still another confronts him with the curious sight of an animated Louis Armstrong playing before a stony-faced audience of Sudanese, “unable to communicate much less partake of an emotional oneness.” Throughout, Kapuscinski tests and emulates Herodotus’s methods: “he wanders, looks, talks, listens, in order that he can later note down what he learned and saw, or simply to remember better.”

Author and subject, student and mentor, are perfectly matched. Illuminating reading for any aspiring journalist or travel writer, for any traveler, for any citizen of the world.

Pub Date: June 11, 2007

ISBN: 978-1-4000-4338-5

Page Count: 288

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2007

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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