As good or better than its predecessor: promise impressively fulfilled.

THE KINGDOM OF COPPER

The second installment of Chakraborty’s stunningly rendered Middle Eastern fantasy trilogy (The City of Brass, 2017), which can absolutely be read independently of the first book.

The setting is Daevabad, a legendary Eastern city protected by impervious magical brass walls and ruled by King Ghassan, whose Geziri ancestors overthrew the Daevas and captured Suleiman’s seal, which tempers magic. To this bubbling pot of tensions, the powerful djinn warrior Dara conveyed young Daeva healer Nahri; in the process they developed feelings for one another. Five years later, Nahri has much to ponder. During the tumultuous events with which the previous book culminated, Ghassan’s younger son, Ali, whom Nahri considered a friend, killed Dara and defied his father, an act for which he was exiled—a euphemism for "condemned to death." Ghassan forced Nahri to marry Ali’s elder brother, Muntadhir; the union is childless thanks to potions Nahri secretly consumes, yet, oddly despite those five years of marriage, the couple seem to know very little about each other. She chafes under the restrictions imposed by the increasingly cruel and arbitrary Ghassan, who’s threatened to slaughter the city’s Daevas unless she cooperates. So she doesn’t know that Ali, with his djinn’s ability to survive in the desert and magic conferred by the fearsome water-spirits known as the marid, still lives, nor that Dara has been summoned back to life and now is embroiled in a conspiracy to overthrow the Geziri and reclaim the city for the Daeva. Against the city’s richly immersive backdrop of suppressed and often contentious racial, familial, magical, and religious alliances and divides—although Chakraborty tends to forget how bewildering these can be, even with the helpful glossary—the conflicts, ambitions, schemes, and treacheries build powerfully toward what’s rapidly becoming the author’s trademark: a truly shattering conclusion.

As good or better than its predecessor: promise impressively fulfilled.

Pub Date: Jan. 22, 2019

ISBN: 978-0-06-267813-3

Page Count: 544

Publisher: Harper Voyager

Review Posted Online: Sept. 18, 2018

Kirkus Reviews Issue: Oct. 1, 2018

Did you like this book?

No Comments Yet

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Reader Votes

  • Readers Vote
  • 42

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

Did you like this book?

Fierce, poetic, uncompromising.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2020

  • New York Times Bestseller

  • IndieBound Bestseller

THE CITY WE BECAME

This extremely urban fantasy, a love/hate song to and rallying cry for the author’s home of New York, expands her story “The City, Born Great” (from How Long ’Til Black Future Month, 2018).

When a great city reaches the point when it's ready to come to life, it chooses a human avatar, who guides the city through its birthing and contends with an extradimensional Enemy who seeks to strike at this vulnerable moment. Now, it is New York City’s time to be born, but its avatar is too weakened by the battle to complete the process. So each of the individual boroughs instantiates its own avatar to continue the fight. Manhattan is a multiracial grad student new to the city with a secret violent past that he can no longer quite remember; Brooklyn is an African American rap star–turned–lawyer and city councilwoman; Queens is an Indian math whiz here on a visa; the Bronx is a tough Lenape woman who runs a nonprofit art center; and Staten Island is a frightened and insular Irish American woman who wants nothing to do with the other four. Can these boroughs successfully awaken and heal their primary avatar and repel the invading white tentacles of the Enemy? The novel is a bold calling out of the racial tensions dividing not only New York City, but the U.S. as a whole; it underscores that people of color are an integral part of the city’s tapestry even if some White people prefer to treat them as interlopers. It's no accident that the only White avatar is the racist woman representing Staten Island, nor that the Enemy appears as a Woman in White who employs the forces of racism and gentrification in her invasion; her true self is openly inspired by the tropes of the xenophobic author H.P. Lovecraft. Although the story is a fantasy, many aspects of the plot draw on contemporary incidents. In the real world, White people don’t need a nudge from an eldritch abomination to call down a violent police reaction on people of color innocently conducting their daily lives, and just as in the book, third parties are fraudulently transferring property deeds from African American homeowners in Brooklyn, and gentrification forces out the people who made the neighborhood attractive in the first place. In the face of these behaviors, whataboutism, #BothSides, and #NotAllWhitePeople are feeble arguments.

Fierce, poetic, uncompromising.

Pub Date: March 24, 2020

ISBN: 978-0-316-50984-8

Page Count: 448

Publisher: Orbit

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

Did you like this book?

No Comments Yet
more