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AFTER THE SNOW

Debut author Crockett’s poetic first-person narrative depicts an adolescent’s coming-of-age amid wartime havoc and an unforgiving, possibly post-apocalyptic winter.

When Willo’s family vanishes from their wintry cabin, he sets out on his own to find them, leaving his home in the hills for the nearby town, which is undergoing a Nazi-like occupation. The war is a nebulous monster; though Crockett alludes to World War II, she never fully explicates the novel’s time frame, which may frustrate some readers. Willo’s inventive argot is part-urban vernacular and part-forester twang, and though it offers no clues as to setting or time, it conveys exceptional metaphors that evoke nature and the elements. People Willo has trusted betray him in the face of scarce food and the authorities’ hunt for a faceless resistance, but he perseveres, seizing opportunities to earn his bread and doggedly pursuing information about his father. On his journey, he meets a young girl who turns out to possess unexpected significance in the political landscape, figuring even in his own legacy, a thing he discovers in his difficult search. Willo endures cruel brutality, but Crockett renders in him an intense psychological transformation that is authentic to his character and his circumstances, culminating in discovery of his own voice and vision. A sentimental tale of hardships, resilience and first-time experiences that illustrates a universal truism: Hope springs eternal in the young. (Fiction. 12 & up)

 

Pub Date: March 27, 2012

ISBN: 978-0-312-64169-6

Page Count: 304

Publisher: Feiwel & Friends

Review Posted Online: Jan. 3, 2012

Kirkus Reviews Issue: Jan. 15, 2012

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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