THE PASSOVER ZOO SEDER

How can Passover be celebrated at the zoo when the only Haggadah is too worn to read? Shai Elephant, who is not shy, suggests an oral recitation based on memory, complete with assigned parts for each animal. Sheep bleats the traditional four questions—“Maaah Nishtanaaah”—and Horsey and Donkey whinny “all of Dah-yaynoo,” while Lion approves with his “Ma-Roar!” Many a large family Seder can appear to be zoo-like in its atmosphere, with a large crowd of adults and children who often contribute to a din. Yet this hokey, banal parody fails to bring any charm or amusement to juvenile Passover literature. Fun is an appropriate part of a cheerful and joyous family Seder, but reading aloud this forced, unmetered rhyme with its complicated series of tongue-twisters and pun-oriented dialogue, as instructed by the author, is as tedious as a drawn-out adult ceremonial dinner. “Pharoah-proud Peacocks paraded, the abject slaves of new fashion. / Whitefish were Gefilte—snacks Loony Loons crave with passion. / Marvelous Marmoset Marvie murmured Mom’s Hadleek Nair / She got too close to the candles, slightly singeing her hair.” Crude pen-and-crayon drawings add to the painful absurdity of this telling.  (Picture book/religion. 5-8)

Pub Date: March 1, 2011

ISBN: 978-1-58980-972-7

Page Count: 32

Publisher: Pelican

Review Posted Online: April 7, 2011

Kirkus Reviews Issue: March 1, 2011

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A touching, beautifully illustrated story of greatest interest to those in the New York City area.

RED AND LULU

A pair of cardinals is separated and then reunited when their tree home is moved to New York City to serve as the Rockefeller Center Christmas tree.

The male cardinal, Red, and his female partner, Lulu, enjoy their home in a huge evergreen tree located in the front yard of a small house in a pleasant neighborhood. When the tree is cut down and hauled away on a truck, Lulu is still inside the tree. Red follows the truck into the city but loses sight of it and gets lost. The birds are reunited when Red finds the tree transformed with colored lights and serving as the Christmas tree in a complex of city buildings. When the tree is removed after Christmas, the birds find a new home in a nearby park. Each following Christmas, the pair visit the new tree erected in the same location. Attractive illustrations effectively handle some difficult challenges of dimension and perspective and create a glowing, magical atmosphere for the snowy Christmas trees. The original owners of the tree are a multiracial family with two children; the father is African-American and the mother is white. The family is in the background in the early pages, reappearing again skating on the rink at Rockefeller Center with their tree in the background.

A touching, beautifully illustrated story of greatest interest to those in the New York City area. (author’s note) (Picture book. 5-8)

Pub Date: Sept. 19, 2017

ISBN: 978-0-7636-7733-6

Page Count: 40

Publisher: Candlewick

Review Posted Online: Aug. 21, 2017

Kirkus Reviews Issue: Sept. 1, 2017

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Only for dedicated fans of the series.

HOW TO CATCH A MONSTER

From the How To Catch… series

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 15, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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