A compelling account that shows the difference a single act of kindness can make.
A debut memoir explores college life and friendship.
In this work, Drayton, a writer and the proprietor of A.S. Drayton Books, provides readers with a story about fighting feelings of worthlessness, focusing on how a stranger’s asking him “Are you okay?” one night changed his life. Curiously, Anthony Lunan, this stranger-turned-friend, did not stay in the author’s life for long. Personal circumstances necessitated Lunan’s leaving the university they both attended. Yet Drayton emphasizes that this recollection of a chance meeting is more than a “throwaway” in regard to the rest of the memoir. Lunan brought the author into a circle of friends who remained steady throughout Drayton’s many personal and academic trials and would be around years later to celebrate his forthcoming wedding. This book presents an engrossing picture of the life of a contemporary college student at George Mason University, a public college in Northern Virginia, near Washington, D.C. As such, this story delivers plenty of rich details and “local color,” including the Washington scavenger hunt that was part of Drayton’s fraternity’s pledge initiation. Indeed, a demand related to this scavenger hunt that the author found deeply offensive is part of his dramatic account of what he describes as a battle for the soul of the fraternity he joined and ended up staying with. He speaks at length about his struggle to find the right woman to love long-term and his fears that he never would. Drayton also recounts with bracing honesty the joys of using a hookah, both privately and in social settings. In addition, he briefly touches on being a Black man between Black and White social worlds. The book’s narrative flows well overall (even with the sometimes-distracting detours into the author’s dreams that seem all too real), though there is something of a disconnect in the account before what should be identified as an epilogue. Still, this is an engaging and human story about finding friendship and gaining confidence.
A compelling account that shows the difference a single act of kindness can make.Pub Date: Jan. 5, 2022
ISBN: 978-1-66781-176-5
Page Count: 282
Publisher: Self
Review Posted Online: July 28, 2022
Review Program: Kirkus Indie
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
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SEEN & HEARD
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
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