Astutely analyzed but dryly written. Not exactly a knee-slapper for the general reading public, though its insights will...
Political humor on late-night TV is serious business, as three academics show in this study.
Listed as lead author, Lichter (Communication/George Mason Univ.; co-author: The Global President: International Media and the U.S. Government, 2013, etc.) is the director of the Center for Media and Public Affairs, which has been tracking political humor on TV for a quarter-century, compiling a database of 102,435 jokes from 1992 through 2011. Why 1992? It inaugurated “the golden age of political humor”—partly due to the change in the mainstream media culture, which now felt free to report salacious details of private lives that might previously have been kept secret (giving JFK, FDR and others a comparatively free pass), and partly due to the variety and latitude afforded by cable. Perhaps most importantly, however, was the ascendance of “scandalizer-in-chief” Bill Clinton, who “easily trumps his competitors as the all-time favorite target of late night comedians.” The academic prose by committee, augmented by graphs and charts, provides a jarring contrast with the edginess of the jokes, many of them still very funny (if dated). There is some provocative conjecture on how the negativity of the jokes (which almost all of them are) affects the public perceptions of the politicians and the process as a whole, though the authors admit that their work “shows how difficult it is to sort out the relationship among news, jokes and candidate evaluations” and that “if the jokes follow from the news, then it may be the news that is having the real effect.” Yet this study could well serve as a resource for other cultural analyses written in a livelier fashion, and it should be required reading for political strategists whose candidates’ images are both shaped and reflected by TV humor.
Astutely analyzed but dryly written. Not exactly a knee-slapper for the general reading public, though its insights will find their ways into the mainstream media.Pub Date: Aug. 5, 2014
ISBN: 978-0-8133-4717-2
Page Count: 288
Publisher: Westview/Perseus
Review Posted Online: June 9, 2014
Kirkus Reviews Issue: July 1, 2014
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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