by S. Robert Lichter ; Jody Baumgartner ; Jonathan S. Morris ‧ RELEASE DATE: Aug. 5, 2014
Astutely analyzed but dryly written. Not exactly a knee-slapper for the general reading public, though its insights will...
Political humor on late-night TV is serious business, as three academics show in this study.
Listed as lead author, Lichter (Communication/George Mason Univ.; co-author: The Global President: International Media and the U.S. Government, 2013, etc.) is the director of the Center for Media and Public Affairs, which has been tracking political humor on TV for a quarter-century, compiling a database of 102,435 jokes from 1992 through 2011. Why 1992? It inaugurated “the golden age of political humor”—partly due to the change in the mainstream media culture, which now felt free to report salacious details of private lives that might previously have been kept secret (giving JFK, FDR and others a comparatively free pass), and partly due to the variety and latitude afforded by cable. Perhaps most importantly, however, was the ascendance of “scandalizer-in-chief” Bill Clinton, who “easily trumps his competitors as the all-time favorite target of late night comedians.” The academic prose by committee, augmented by graphs and charts, provides a jarring contrast with the edginess of the jokes, many of them still very funny (if dated). There is some provocative conjecture on how the negativity of the jokes (which almost all of them are) affects the public perceptions of the politicians and the process as a whole, though the authors admit that their work “shows how difficult it is to sort out the relationship among news, jokes and candidate evaluations” and that “if the jokes follow from the news, then it may be the news that is having the real effect.” Yet this study could well serve as a resource for other cultural analyses written in a livelier fashion, and it should be required reading for political strategists whose candidates’ images are both shaped and reflected by TV humor.
Astutely analyzed but dryly written. Not exactly a knee-slapper for the general reading public, though its insights will find their ways into the mainstream media.Pub Date: Aug. 5, 2014
ISBN: 978-0-8133-4717-2
Page Count: 288
Publisher: Westview/Perseus
Review Posted Online: June 9, 2014
Kirkus Reviews Issue: July 1, 2014
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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BOOK TO SCREEN
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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