Utterly satisfying.
In Faruqi’s debut for children, transitioning readers watch a fun, curious, and creative Pakistani-American girl solve problems and have adventures.
Four separate sections give Yasmin lots of opportunities. “Yasmin the Explorer” makes a map of her neighborhood and uses it when she goes to the farmers market with her mother. “Yasmin the Painter” doesn’t know what to create for the art contest at school, but when she tinkers with a paint set gifted to her by her baba, she gets an idea that proves successful. “Yasmin the Builder” is once again stumped over a class project, but after a few false starts and moments of frustration, she comes up with a brilliant contribution. Finally, “Yasmin the Fashionista” is bored at home with her grandparents while her parents eat out together. She complains of having nothing to do, but when she stumbles into her mother’s closet, the hijabs and saris and a new kameez give her lots of ideas. Each episode spans two to three chapters. Each spread has full- or half-page art in attractive, bold colors. Readers will be charmed by this one-of-a-kind character and won’t tire of her small but significant dilemmas. Faruqi nails the child’s perspective, and illustrator Aly gives Yasmin life. Backmatter intended for child readers offers things to think and talk about from the stories, an index of Urdu words presented as a fun way to learn the language, facts about Pakistan, a recipe, and a craft.
Utterly satisfying. (Fiction. 5-9)Pub Date: Aug. 1, 2018
ISBN: 978-1-68436-022-2
Page Count: 96
Publisher: Picture Window Books
Review Posted Online: May 27, 2018
Kirkus Reviews Issue: June 15, 2018
Charming.
An assortment of unusual characters form friendships and help each other become their best selves.
Mr. and Mrs. Tupper, who live at Number 3 Ramshorn Drive, are antiquarians. Their daughter, Jillian, loves and cares for a plant named Ivy, who has “three speckles on each leaf and three letters in her name.” Toasty, the grumpy goldfish, lives in an octagonal tank and wishes he were Jillian’s favorite; when Arthur the spider arrives inside an antique desk, he brings wisdom and insight. Ollie the violet plant, Louise the bee, and Sunny the canary each arrive with their own quirks and problems to solve. Each character has a distinct personality and perspective; sometimes they clash, but more often they learn to empathize, see each other’s points of view, and work to help one another. They also help the Tupper family with bills and a burglar. The Fan brothers’ soft-edged, old-fashioned, black-and-white illustrations depict Toasty and Arthur with tiny hats; Ivy and Ollie have facial expressions on their plant pots. The Tuppers have paper-white skin and dark hair. The story comes together like a recipe: Simple ingredients combine, transform, and rise into something wonderful. In its matter-of-fact wisdom, rich vocabulary (often defined within the text), hint of magic, and empathetic nonhuman characters who solve problems in creative ways, this delightful work is reminiscent of Ferris by Kate DiCamillo, Our Friend Hedgehog by Lauren Castillo, and Ivy Lost and Found by Cynthia Lord and Stephanie Graegin.
Charming. (Fiction. 6-9)Pub Date: May 27, 2025
ISBN: 9781665942485
Page Count: 272
Publisher: Simon & Schuster
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly...
Unusually brisk special effects animate this relatively less satiric but equally amusing adaptation of the classic tale.
Multiple taps transform a giggling block of wood in Geppetto’s workshop into a skinny, loose jointed puppet that suddenly delivers a Bronx cheer and then whirls away on a long series of misadventures. These culminate in a final change into a flesh-and-blood boy with help from a fingertip “paintbrush.” Quick and responsive touch- or tilt-activated features range from controllable marionettes, Pinocchio’s tattletale nose and Fire-Eater’s explosive sneeze to a movable candle that illuminates both Geppetto in the fish’s dark belly and the accompanying block of text. Even the thumbnail page images of the index (which opens any time with a shake of the tablet) tumble about, somehow without falling out of order. Though transitions are almost nonexistent in the episodic plot, the text is both substantial enough to have a definite presence and artfully placed in and around Conversi’s brightly colored settings and toylike figures. Text is available in English or Italian with a clear, understated optional audio narration backed by unobtrusive music. A link on the credits page leads to downloadable coloring sheets on the producer’s website.Pub Date: March 17, 2011
ISBN: N/A
Page Count: -
Publisher: Elastico srl
Review Posted Online: July 20, 2011
Kirkus Reviews Issue: Aug. 15, 2011
BOOK REVIEW
BOOK REVIEW
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