MEET YASMIN!

From the Yasmin series , Vol. 1

In Faruqi’s debut for children, transitioning readers watch a fun, curious, and creative Pakistani-American girl solve problems and have adventures.

Four separate sections give Yasmin lots of opportunities. “Yasmin the Explorer” makes a map of her neighborhood and uses it when she goes to the farmers market with her mother. “Yasmin the Painter” doesn’t know what to create for the art contest at school, but when she tinkers with a paint set gifted to her by her baba, she gets an idea that proves successful. “Yasmin the Builder” is once again stumped over a class project, but after a few false starts and moments of frustration, she comes up with a brilliant contribution. Finally, “Yasmin the Fashionista” is bored at home with her grandparents while her parents eat out together. She complains of having nothing to do, but when she stumbles into her mother’s closet, the hijabs and saris and a new kameez give her lots of ideas. Each episode spans two to three chapters. Each spread has full- or half-page art in attractive, bold colors. Readers will be charmed by this one-of-a-kind character and won’t tire of her small but significant dilemmas. Faruqi nails the child’s perspective, and illustrator Aly gives Yasmin life. Backmatter intended for child readers offers things to think and talk about from the stories, an index of Urdu words presented as a fun way to learn the language, facts about Pakistan, a recipe, and a craft.

Utterly satisfying. (Fiction. 5-9)

Pub Date: Aug. 1, 2018

ISBN: 978-1-68436-022-2

Page Count: 96

Publisher: Picture Window Books

Review Posted Online: May 28, 2018

Kirkus Reviews Issue: June 15, 2018

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Well-meaning and with a lovely presentation, this sentimental effort may be aimed more at adults than kids.

MY LITTLE BRAVE GIRL

Little girls are given encouragement and assurance so they can meet the challenges of life as they move through the big, wide world.

Delicately soft watercolor-style art depicts naturalistic scenes with a diverse quintet of little girls portraying potential situations they will encounter, as noted by a narrative heavily dependent on a series of clichés. “The stars are high, and you can reach them,” it promises as three of the girls chase fireflies under a star-filled night sky. “Oceans run deep, and you will learn to swim,” it intones as one girl treads water and another leans over the edge of a boat to observe life on the ocean floor. “Your feet will take many steps, my brave little girl. / Let your heart lead the way.” Girls gingerly step across a brook before making their way through a meadow. The point of all these nebulous metaphors seems to be to inculcate in girls the independence, strength, and confidence they’ll need to succeed in their pursuits. Trying new things, such as foods, is a “delicious new adventure.” Though the quiet, gentle text is filled with uplifting words that parents will intuitively relate to or comprehend, the esoteric messages may be a bit sentimental and ambiguous for kids to understand or even connect to. (This book was reviewed digitally with 10.5-by-19-inch double-page spreads viewed at 50% of actual size.)

Well-meaning and with a lovely presentation, this sentimental effort may be aimed more at adults than kids. (Picture book. 6-8)

Pub Date: March 23, 2021

ISBN: 978-0-593-30072-5

Page Count: 32

Publisher: Random House

Review Posted Online: Jan. 13, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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This tale of self-acceptance and respect for one’s roots is breathtaking.

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EYES THAT KISS IN THE CORNERS

A young Chinese American girl sees more than the shape of her eyes.

In this circular tale, the unnamed narrator observes that some peers have “eyes like sapphire lagoons / with lashes like lace trim on ballgowns,” but her eyes are different. She “has eyes that kiss in the corners and glow like warm tea.” Author Ho’s lyrical narrative goes on to reveal how the girl’s eyes are like those of other women and girls in her family, expounding on how each pair of eyes looks and what they convey. Mama’s “eyes sparkl[e] like starlight,” telling the narrator, “I’m a miracle. / In those moments when she’s all mine.” Mama’s eyes, the girl observes, take after Amah’s. While she notes that her grandmother’s eyes “don’t work like they used to,” they are able to see “all the way into my heart” and tell her stories. Here, illustrator Ho’s spreads bloom with references to Chinese stories and landscapes. Amah’s eyes are like those of the narrator’s little sister. Mei-Mei’s eyes are filled with hope and with admiration for her sister. Illustrator Ho’s textured cartoons and clever use of light and shadow exude warmth and whimsy that match the evocative text. When the narrator comes to describe her own eyes and acknowledges the power they hold, she is posed against swirling patterns, figures, and swaths of breathtaking landscapes from Chinese culture. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 80.5% of actual size.)

This tale of self-acceptance and respect for one’s roots is breathtaking. (Picture book. 5-9)

Pub Date: Jan. 5, 2021

ISBN: 978-0-06-291562-7

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 13, 2020

Kirkus Reviews Issue: Nov. 1, 2020

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