by Sabina Berman translated by Lisa Dillman ‧ RELEASE DATE: Aug. 7, 2012
A satisfying novel.
Narrated by a savant rescued from a feral existence by a woman who discovers her in the basement of the house she inherits in Mazatlán, Mexico, this is a novel of ideas masquerading as a story about sustainable tuna fishing. Preposterous as that sounds, it's an assured and satisfying debut.
Isabelle Nieto arrives in Mazatlán to collect her inheritance: a tuna-packing company, a fleet of fishing boats and a dilapidated mansion. The company is successful. Isabelle is wealthy, determined. When she learns from the housekeeper, Gorda, that the feral child trashing the basement is a tenant of sorts, Isabelle investigates. She brings the wild thing up, teaches it to read and write. Karen is "born." Suffering from what we call Asperger’s syndrome, Karen proceeds to change the world, one tuna harvest at a time. Ideas perfume the narrative as thoroughly as wine does stew. To Karen’s way of thinking, Darwin refutes Descartes. How strange “standard human” behavior appears, how bizarre our ideas are, when seen from her peculiar perspective. Karen hates metaphor. Not because she doesn’t understand it, but because she experiences it as lying. This leads to conflict, violent and scabrous; also to hilarious comedy and genuine insight. Even if her migration from the cellar to the jet set is too pat, her revelation a bit trite, Karen is a fully realized character.
A satisfying novel.Pub Date: Aug. 7, 2012
ISBN: 978-0-8050-9325-4
Page Count: 256
Publisher: Henry Holt
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
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by Yuri Herrera ; translated by Lisa Dillman
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by Eduardo Halfon ; translated by Lisa Dillman & Daniel Hahn
by Grady Hendrix ‧ RELEASE DATE: Sept. 23, 2014
A treat for fans of The Evil Dead or Zombieland, complete with affordable solutions for better living.
A hardy band of big-box retail employees must dig down for their personal courage when ghosts begin stalking them through home furnishings.
You have to give it up for the wave of paranormal novels that have plagued the last decade in literature; at least they’ve made writers up their games when it comes to finding new settings in which to plot their scary moments. That’s the case with this clever little horror story from longtime pop-culture journalist Hendrix (Satan Loves You, 2012, etc.). Set inside a disturbingly familiar Scandinavian furniture superstore in Cleveland called Orsk, the book starts as a Palahniuk-tinged satire about the things we own—the novel is even wrapped in the form of a retail catalog complete with product illustrations. Our main protagonist is Amy, an aimless 24-year-old retail clerk. She and an elderly co-worker, Ruth Anne, are recruited by their anal-retentive boss, Basil (a closet geek), to investigate a series of strange breakages by walking the showroom floor overnight. They quickly uncover two other co-workers, Matt and Trinity, who have stayed in the store to film a reality show called Ghost Bomb in hopes of catching a spirit on tape. It’s cute and quite funny in a Scooby Doo kind of way until they run across Carl, a homeless squatter who's just trying to catch a break. Following an impromptu séance, Carl is possessed by an evil spirit and cuts his own throat. It turns out the Orsk store was built on the remains of a brutal prison called the Cuyahoga Panopticon, and its former warden, Josiah Worth, has returned from the dead to start up operations again. It sounds like an absurd setting for a haunted-house novel, but Hendrix makes it work to the story’s advantage, turning the psychological manipulations and scripted experiences that are inherent to the retail experience into a sinister fight for survival.
Pub Date: Sept. 23, 2014
ISBN: 978-1-59474-526-3
Page Count: 240
Publisher: Quirk Books
Review Posted Online: July 22, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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by Kristin Hannah ‧ RELEASE DATE: Feb. 9, 2009
Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...
Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).
At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.
Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.Pub Date: Feb. 9, 2009
ISBN: 978-0-312-36410-6
Page Count: 400
Publisher: St. Martin's
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Oct. 15, 2008
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