A creative treat.
In this New Zealand import, a young Maori child in pursuit of the perfect cannonball seeks the source of confidence to jump from up high.
Doing an amazing cannonball is a source of pride in this community. The narrator, a brown-skinned child, has been studying cannonballs and learning from Nan. But once at the edge of the diving board, the will to jump fizzles. A little chant helps. Advice from all the onlookers only weighs this jumper down. When someone tells the learner “cannonballs aren’t for you,” Nan offers other advice: “Listen to your heart, to your mind….Do it your way.” When the child listens to what’s inside, a whole new world of self-expression opens up. All dressed up with flowers, feathers, and face paint, the aspiring diver shouts out loud instead of whispering the chant, then, over two spreads, flies and rolls through the air before landing with a big splash—and an appropriate celebration for the accomplishment. This distinctive story of summer fun and growth, set within a culture underrepresented on North American shelves, carries a universal message of listening to one’s own heart and being oneself when the world tries to tell you how and who to be. Morgan, who is of Maori descent, uses bright colors and creative layouts on white space and dark backgrounds to trace the child’s journey from student to star.
A creative treat. (glossary) (Picture book. 4-8)Pub Date: June 1, 2020
ISBN: 978-1-7282-1756-7
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)
Bewitched by the rhythms of jazz all around her in Depression-era Kansas City, little Melba Doretta Liston longs to make music in this fictional account of a little-known jazz great.
Picking up the trombone at 7, the little girl teaches herself to play with the support of her Grandpa John and Momma Lucille, performing on the radio at 8 and touring as a pro at just 17. Both text and illustrations make it clear that it’s not all easy for Melba; “The Best Service for WHITES ONLY” reads a sign in a hotel window as the narrative describes a bigotry-plagued tour in the South with Billie Holiday. But joy carries the day, and the story ends on a high note, with Melba “dazzling audiences and making headlines” around the world. Russell-Brown’s debut text has an innate musicality, mixing judicious use of onomatopoeia with often sonorous prose. Morrison’s sinuous, exaggerated lines are the perfect match for Melba’s story; she puts her entire body into her playing, the exaggerated arch of her back and thrust of her shoulders mirroring the curves of her instrument. In one thrilling spread, the evening gown–clad instrumentalist stands over the male musicians, her slide crossing the gutter while the back bow disappears off the page to the left. An impressive discography complements a two-page afterword and a thorough bibliography.
Readers will agree that “Melba Doretta Liston was something special.” (Picture book. 4-8)Pub Date: July 1, 2014
ISBN: 978-1-60060-898-8
Page Count: 40
Publisher: Lee & Low Books
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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