A generous compendium of luminous art.
A rich artistic trove.
Eigner, a specialist in Arabic art and culture, grew up in Cairo, Beirut, and Kuwait, immersed in the abundant creative life of the Middle East. In a handsomely produced volume, featuring 572 striking color images of paintings, drawings, sculpture, photographs, installations, calligraphy, and stills from videos, he offers an authoritative survey of art encompassing a vast geographical area, from Morocco in the west to Iran in the east. Roughly 250 concise biographies and longer, insightful discussions of nearly 100 artists reveal more than a century of prolific artistic production in many media. Eigner examines recurring themes, such as calligraphy and folk art, nature and gardens, cityscapes and popular culture, as well as religious iconography, symbolism, mysticism, and spirituality. Some artists have drawn on historical and political allusions, including colonialism, uprisings, war, and massacres. Many artists studied abroad, where they were influenced by European modernist movements, art institutions, and artistic circles. The Lebanese artist Shafic Abboud, for example, attended the ateliers of Fernand Léger and André Lhote in Paris when he was 21, returning a few years later to study at the École des Beaux-Arts. He came back to Lebanon to work and teach, but when he was exiled by the Lebanese Civil War, he again made a home in France. Likewise, Hamed Abdalla had a successful career in his native Egypt before moving to Copenhagen and finally settling in Paris. Palestinian artist Ali Al Jabri studied architecture at Stanford and English literature in the U.K. Although shaped by international influences, the men and women whom Eigner profiles produced works infused with their Arabic heritage. It’s likely that most artists included here will be unfamiliar to Western readers; the volume serves, therefore, as an engaging introduction and informative resource.
A generous compendium of luminous art.Pub Date: June 3, 2025
ISBN: 9780500026137
Page Count: 400
Publisher: Thames & Hudson
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
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