Owl’s bowels! Someone’s kidnapped the sorceresses of Lightning Pass!
Atop a steep, twisting street above the walled Kingdom sits Miss Ellicott’s School for Magical Maidens—Spells, Potions, Wards, Summonings and Deportment Taught to Deserving Surplus Females. Here, spells are second to deportment as the young students train to be proper sorceresses—“shamefast and biddable.” Tall and black, 13-year-old Chantel is the school’s most magical maiden, and she doesn’t give a hoot about deportment; she just wants to practice magic. After Miss Ellicott and the other sorceresses who keep the city safe disappear, Chantel finds that the remaining adults—all men—are useless. The patriarchs want to continue their iron rule over the city, and the king wants to take control away from the patriarchs. With barbaric Marauders from outside the wall banging at the gates, it’s up to Chantel to save the city and its people from destruction from without—and within. Aided by a fire-breathing dragon, a crossbow-wielding boy, and a long-dead queen, Chantel is a force to be reckoned with. The narrative makes fun of the follies of bureaucratic patriarchy, subverting gender roles by reinforcing them, trusting readers to spot the irony. In a hilarious turn, the novel plays with the skin-as-food-color trope: Anna, Chantel’s white best friend, is described as having “skin the color of raw chicken.”
Chantel is a magical heroine to be celebrated, deportment notwithstanding. (Fantasy. 8-14)