by Sahar Khalifeh & translated by Aida Bamia ‧ RELEASE DATE: Jan. 1, 2008
A novel about character and identity needs sharper, stronger protagonists than the blurry Ibrahim and Mariam.
Love proves elusive in this soulful tale of missed connections from Palestinian feminist Khalifeh (The Inheritance, 2005, etc.).
Ibrahim is a public school teacher. The 20-year-old Muslim fled his Jerusalem home to avoid an arranged marriage and now lives in an outlying village, where he writes poetry. He first sees Mariam, a Christian, in a churchyard, dressed in black. Almost at once he is in love with her, or perhaps with the idea of love. Ibrahim has led a sheltered life (he never tasted wine until he was invited to a dinner party). Mariam has been sheltered too, by her many brothers in Brazil, where she was raised; now she lives alone with her mother. The two innocents enjoy their first hug in an Armenian convent. Carnal knowledge comes later, in a Jerusalem hostel, but Mariam’s pregnancy is nonetheless a big surprise. Ibrahim, a weakling, hides from her and later from her brothers, just arrived from Brazil seeking vengeance. He discovers a new interest, revolutionary politics, on the eve of the Six Day War. At this point, Khalifeh’s account becomes wildly rushed and jumbled. She skips over more than three decades, during which Ibrahim roams the world and has three failed, childless marriages, but prospers as a businessman. The ailing 60-year-old returns to the occupied territories in 2000, searching for Mariam in hopes of easing his solitude and spiritual emptiness. He finds their son before he finds her. Michael is a psychic with a large following; he flatly rejects his father, this “defeated stranger.” Mariam, now a cloistered nun, is an enigmatic presence who offers Ibrahim no solace. Once again the political overtakes the personal, as stones and bullets fly in Jerusalem: The Second Intifada has begun.
A novel about character and identity needs sharper, stronger protagonists than the blurry Ibrahim and Mariam.Pub Date: Jan. 1, 2008
ISBN: 978-1-56656-699-5
Page Count: 264
Publisher: Interlink
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2007
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by Toni Morrison ‧ RELEASE DATE: Sept. 16, 1987
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a...
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Morrison's truly majestic fifth novel—strong and intricate in craft; devastating in impact.
Set in post-Civil War Ohio, this is the story of how former slaves, psychically crippled by years of outrage to their bodies and their humanity, attempt to "beat back the past," while the ghosts and wounds of that past ravage the present. The Ohio house where Sethe and her second daughter, 10-year-old Denver, live in 1873 is "spiteful. Full of a [dead] baby's venom." Sethe's mother-in-law, a good woman who preached freedom to slave minds, has died grieving. It was she who nursed Sethe, the runaway—near death with a newborn—and gave her a brief spell of contentment when Sethe was reunited with her two boys and first baby daughter. But the boys have by now run off, scared, and the murdered first daughter "has palsied the house" with rage. Then to the possessed house comes Paul D., one of the "Pauls" who, along with Sethe, had been a slave on the "Sweet Home" plantation under two owners—one "enlightened," one vicious. (But was there much difference between them?) Sethe will honor Paul D.'s humiliated manhood; Paul D. will banish Sethe's ghost, and hear her stories from the past. But the one story she does not tell him will later drive him away—as it drove away her boys, and as it drove away the neighbors. Before he leaves, Paul D. will be baffled and anxious about Sethe's devotion to the strange, scattered and beautiful lost girl, "Beloved." Then, isolated and alone together for years, the three women will cling to one another as mother, daughter, and sister—found at last and redeemed. Finally, the ex-slave community, rebuilding on ashes, will intervene, and Beloved's tortured vision of a mother's love—refracted through a short nightmare life—will end with her death.
Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a victim's dark violence, with a lyrical insistence and a clear sense of the time when a beleaguered peoples' "only grace...was the grace they could imagine."Pub Date: Sept. 16, 1987
ISBN: 9781400033416
Page Count: 352
Publisher: Knopf
Review Posted Online: Sept. 29, 2011
Kirkus Reviews Issue: Aug. 15, 1987
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by George Orwell ‧ RELEASE DATE: Aug. 26, 1946
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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by George Orwell ; edited by Peter Davison
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by George Orwell & edited by Peter Davison
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