Stale, unexamined stereotypes coupled with lack of character growth make for a disappointing romance.
A biochemical engineer ends up working with the man her parents would like her to marry.
Liya Thakkar is happy both professionally and personally. She has a tight-knit group of friends and just accepted a big promotion at work. Unfortunately, her conservative father is still trying to arrange her perfect match—a good Hindu man from a respectable family—even though she never plans to get married. One night, Liya goes to her parents’ home for a quiet family dinner and is surprised to find her father has invited a surprise blind date, Jay Shah. Infuriated at her father’s meddling, Liya refuses to even meet Jay and sneaks out the back door. But running away from Jay is harder than it looks, as he’s been hired to bail her firm out of a daunting legal mess. As they work together to save the company, Liya discovers that the prickly, confrontational demeanor she uses as a shield doesn’t work with Jay. Meanwhile, Jay is surprised to find himself impressed with Liya's dedication and hard work. Liya is slow to trust Jay, but their professional relationship slowly evolves to friendship and then to romance. As a teenager, Liya was a victim of sexual assault at the hands of an older, respected member of the community. It makes her fight-or-flight survival strategy easier to understand, but she never moves past these simple coping mechanisms. The book fails to portray a modern world of dating. Early on, a white man expects her “to give it up” after an expensive dinner date, and she is openly shunned by her community for being a sexually active woman in her 20s. There is little nuance in Patel’s exploration of gender and dating, which fuels rather than interrogates stereotypes of South Asian culture.
Stale, unexamined stereotypes coupled with lack of character growth make for a disappointing romance.Pub Date: May 12, 2020
ISBN: 978-1-5387-3333-2
Page Count: 352
Publisher: Forever
Review Posted Online: April 12, 2020
Kirkus Reviews Issue: May 1, 2020
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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