An easy-to-follow guide for serious handcrafters.
An experienced artisan offers step-by-step instructions, including more than 400 drawings and photographs, for creating decorative trees out of wire.
Novice artists will welcome Villano’s (How to Create Beaded & Wire Trees, 2009, etc.) clear directions as he introduces several types of wire-tree creations. This edition includes the “Weeping Willow,” which is the easiest to make, and the much more difficult “Mini Jade Leaf Cascade,” as well as such wall-art sculptures as the whimsical “Wind Swept on Round Base.” Although readers may be eager to quickly try their hands at making these lovely trees, the author notes that it’s best to read the entire book before beginning, and he assigns each project a one-to-10 difficulty rating. He briefly discusses the properties of different types of wire (aluminum wire, for example, is very pliable), provides a wire-gauge chart, and includes a thorough materials list with relatively easy-to-obtain items, such as enamel paint, beads and white craft glue. Villano adds several helpful tips for budding professionals who want to sell their creations, such as how to set prices, obtain a gallery for showings and write press releases. Although the author’s concepts are easy to comprehend and his voice is never patronizing, readers should note that the complex projects require a good deal of time and patience. Those who aren’t satisfied with their first attempts can take heart, however, as the author shares a 1977 photo of his first poorly formed tree sculpture and helpfully labels the mistakes he made: The trunk was too small, and the tree wasn’t securely bound to its base. With years of practice, Villano’s work is now beautiful, and although his book may feel a bit like a sales pitch at times, it remains a handy addition for any artist’s library.
An easy-to-follow guide for serious handcrafters.Pub Date: April 4, 2013
ISBN: 978-1482742923
Page Count: 138
Publisher: CreateSpace
Review Posted Online: Jan. 6, 2014
Review Program: Kirkus Indie
Erudite writing from an author struggling to find meaning through music.
An Ohio-based poet, columnist, and music critic takes the pulse of the nation while absorbing some of today’s most eclectic beats.
At first glance, discovering deep meaning in the performance of top-40 songstress Carly Rae Jepsen might seem like a tough assignment. However, Abdurraqib (The Crown Ain’t Worth Much, 2016) does more than just manage it; he dives in fully, uncovering aspects of love and adoration that are as illuminating and earnest as they are powerful and profound. If he can do that with Jepsen's pop, imagine what the likes of Bruce Springsteen, Prince, or Nina Simone might stir in him. But as iconic as those artists may be, the subjects found in these essays often serve to invoke deeper forays into the worlds surrounding the artists as much as the artists themselves. Although the author is interested in the success and appeal of The Weeknd or Chance the Rapper, he is also equally—if not more—intrigued with the sociopolitical and existential issues that they each managed to evoke in present-day America. In witnessing Zoe Saldana’s 2016 portrayal of Simone, for instance, Abdurraqib thinks back to his own childhood playing on the floor of his family home absorbing the powerful emotions caused by his mother’s 1964 recording of “Nina Simone in Concert”—and remembering the relentlessly stigmatized soul who, unlike Saldana, could not wash off her blackness at the end of the day. In listening to Springsteen, the author is reminded of the death of Michael Brown and how “the idea of hard, beautiful, romantic work is a dream sold a lot easier by someone who currently knows where their next meal is coming from.” In all of Abdurraqib’s poetic essays, there is the artist, the work, the nation, and himself. The author effortlessly navigates among these many points before ultimately arriving at conclusions that are sometimes hopeful, often sorrowful, and always visceral.
Erudite writing from an author struggling to find meaning through music.Pub Date: Nov. 14, 2017
ISBN: 978-1-937512-65-1
Page Count: 288
Publisher: Two Dollar Radio
Review Posted Online: Oct. 1, 2017
Kirkus Reviews Issue: Oct. 15, 2017
A brief but sometimes knotty and earnest set of studies best suited for Shakespeare enthusiasts.
A brisk study of 20 of the Bard’s plays, focused on stripping off four centuries of overcooked analysis and tangled reinterpretations.
“I don’t really care what he might have meant, nor should you,” writes Smith (Shakespeare Studies/Oxford Univ.; Shakespeare’s First Folio: Four Centuries of an Iconic Book, 2016, etc.) in the introduction to this collection. Noting the “gappy” quality of many of his plays—i.e., the dearth of stage directions, the odd tonal and plot twists—the author strives to fill those gaps not with psychological analyses but rather historical context for the ambiguities. She’s less concerned, for instance, with whether Hamlet represents the first flower of the modern mind and instead keys into how the melancholy Dane and his father share a name, making it a study of “cumulative nostalgia” and our difficulty in escaping our pasts. Falstaff’s repeated appearances in multiple plays speak to Shakespeare’s crowd-pleasing tendencies. A Midsummer Night’s Dream is a bawdier and darker exploration of marriage than its teen-friendly interpretations suggest. Smith’s strict-constructionist analyses of the plays can be illuminating: Her understanding of British mores and theater culture in the Elizabethan era explains why Richard III only half-heartedly abandons its charismatic title character, and she is insightful in her discussion of how Twelfth Night labors to return to heterosexual convention after introducing a host of queer tropes. Smith's Shakespeare is eminently fallible, collaborative, and innovative, deliberately warping play structures and then sorting out how much he needs to un-warp them. Yet the book is neither scholarly nor as patiently introductory as works by experts like Stephen Greenblatt. Attempts to goose the language with hipper references—Much Ado About Nothing highlights the “ ‘bros before hoes’ ethic of the military,” and Falstaff is likened to Homer Simpson—mostly fall flat.
A brief but sometimes knotty and earnest set of studies best suited for Shakespeare enthusiasts.Pub Date: April 21, 2020
ISBN: 978-1-5247-4854-8
Page Count: 368
Publisher: Pantheon
Review Posted Online: Dec. 17, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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