A rich, moving, and satisfying tale of a woman engaged at last with the great mysteries of love and life. Beautifully...
An incandescent debut, and bestseller in Britain, luminously details transforming encounters that change a lonely spinster's life when she decides to live in Venice.
Julia Garnet, a retired teacher who has never been in love, seems to belong to that group of disappointed women trapped in the bleak lives that Anita Brookner's readers know so well. But Miss Garnet, soon Julia to everyone she meets, is more robust and adventurous. And she's not exactly conventionally middle-class either: she's a communist and an atheist who disapproves of wealth, religion, and sensual beauty. But much changes when Harriet, the teacher she's lived with in London, dies and Julia decides to go to Venice for six months. There, as she steps off her water taxi at the Campo Angelo Raffael to move into the apartment she's rented, she notices, high up on the Campo's church, statues of an angel, a boy, and a dog. She soon learns that they represent the story from the Apocrypha of Tobias and the Angel Raphael, who exorcised the demons from Tobias's wife Sara (the ancient story is told in sections paralleling the changes in Julia's life). Formerly shy and reserved, Julia now makes friends with her landlady and her son Nicco; an American couple; a charismatic monsignor; and the handsome Carlo, an art historian with whom she falls in love. As she explores Venice, she meets the mysterious twins Toby and Sara, who are restoring a 14th-century chapel where they've found a painting of the Angel Raphael. When both it and Toby disappear, Julia, though by now disappointed in love, rallies to find the painting, help Sara, and live to the full in the city that has taught her how "to learn and enjoy."
A rich, moving, and satisfying tale of a woman engaged at last with the great mysteries of love and life. Beautifully wrought and impressively wise.Pub Date: Feb. 1, 2001
ISBN: 0-7867-0823-9
Page Count: 352
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
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