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ELIZABETH THE QUEEN

THE LIFE OF A MODERN MONARCH

God save the Queen. She is a human being, and an extraordinary one at that.

A microscopically detailed portrait of the reigning Queen of England.

Vaulted unexpectedly onto the throne at a young age after the death of her father, and before that the abdication of her uncle, Elizabeth II has occupied the position for 50 years, as the British Empire faded into the Commonwealth and the monarchy turned from making history to making tabloid headlines. Smith (For Love of Politics: Bill and Hillary Clinton: The White House Years, 2007, etc.) traces the queen’s life with exhausting thoroughness, down to what was served for dinner at seemingly every royal function she attended. As an American, the author brings an outsider’s perspective to the insular world of British royalty; those already familiar with its intricacies may want to skim the detailed explanations of protocol and the meaning of each ritual. Behind all the pomp and circumstance, Smith reminds us, is a real person, a wife and mother as well as a monarch. Though we do see glimpses of her humanity through the years, it becomes clear that Elizabeth’s position, and her duty to uphold its honor, is who she is at her core—Queen and country always come before wife and mother. Though Smith is clearly a supporter, she does not shy away from showing the blemishes beneath the polished facade, and readers in search of juicy gossip will find plenty of palace intrigue, illicit affairs, breaches of protocol and other drama. Of particular note are the events leading up to the Annus horribilis of 1992, with Prince Charles portrayed as the victim in his tragic relationship with Diana, who is shown as selfish, childish and emotionally and mentally unstable. But Elizabeth rarely makes a misstep, remaining the solid center that keeps the monarchy standing.

God save the Queen. She is a human being, and an extraordinary one at that.

Pub Date: Jan. 10, 2012

ISBN: 978-1-4000-6789-3

Page Count: 576

Publisher: Random House

Review Posted Online: Dec. 13, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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