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BENJAMIN FRANKLIN'S BASTARD

Intriguing historical fiction; a laudable interpretation of colonial life.

Cabot debuts by bringing to life Ben Franklin’s wife, lover and illegitimate son.

History doesn’t identify William Franklin’s mother, but Cabot imagines a strong, courageous and intelligent woman named Anne, a refugee from ragtag Eades Alley in pre-Revolutionary Philadelphia. Anne works at Penny Pot Tavern, there meeting the charming, young Ben Franklin, up-and-coming citizen and publisher of the Philadelphia Gazette. Young Ben beds Deborah Read, a tradesman’s daughter, but is denied permission to marry. He travels to England. "I am unlikely to return to Philadelphia anytime soon," Ben writes, and so Deborah marries a scoundrel and leaves him. Ben returns, prospers and charms Penny Pot’s Anne. That he offers her money for her desperate family seems irrelevant. Anne’s soon pregnant, but Ben reconnects with Deborah, taking her as a common-law wife. Realizing her sexuality offers money, and power, Anne entertains other men. Ben learns of William’s birth and persuades Anne to give him up, although unbeknownst to Deborah, Anne later maneuvers Ben to become William’s nanny for a short period, an affair ending badly. Lifelong tension burns between Deborah and William, exacerbated when Francis, Ben and Deborah’s son, dies of smallpox. Cabot defines colonial Philadelphia believably, captivating with her perception of Franklin as charming, intellectual and driven. This early narrative enthralls, but it makes an abrupt switch in focus as William reaches adulthood. Ben travels to England as colonial emissary. Deborah refuses to go along, but William agrees. Ben, "monogamous but not celibate," invites Anne, but she balks. The Franklins return, with William appointed New Jersey’s royal governor. The narrative then follows the father–son conflict over William’s loyalty to the king and Ben’s support of revolution, with Anne’s story fading into the background. Cabot shines in her descriptions of colonial life, in her fictionalized rendition of Ben Franklin’s charismatic personality and wide-ranging intellect, but especially in interpreting Franklin the man through Anne, a fully-realized, memorable character. It is Anne who brings imagined reality’s magic to the narrative.

Intriguing historical fiction; a laudable interpretation of colonial life.

Pub Date: May 7, 2013

ISBN: 978-0-06-224192-4

Page Count: 368

Publisher: Morrow/HarperCollins

Review Posted Online: Feb. 24, 2013

Kirkus Reviews Issue: March 15, 2013

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THINGS FALL APART

This book sings with the terrible silence of dead civilizations in which once there was valor.

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Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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