A sensational, exhilarating adventure that will make new readers want to read the series’ first.
Time traveler Jon Sinclair returns to the 17th century to find the lost city of Atlantis in the second installment of Copus’ (BlackHeart’s Legacy, 2012) middle-grade adventure series.
It’s been three years since 15-year-old Jon fought with pirates in 1692, and now he’s back in the present. He reads a letter from his friend, Capt. BlackHeart, which hints that the captain is able to take him to Atlantis. Jon, his “Pappy” Alistair, his godfather, Nikos, and an English BlackHeart descendant named Colin all hop aboard the space-time-bending ship Carousel and journey to 1699 Crete. There, they reconnect with the captain, who tells them that he may have the key to the legendary lost city. But that key, a black opal stone, is part of a set—and the group will need to find at least one more opal before they can make the Atlantean journey. BlackHeart, however, then encounters an old pal whom he thought was dead. The man also knows far too much about his expedition, which can only mean that there’s a traitor among the captain’s group. This is a sequel that does everything right. For starters, it features several returning characters, such as former navigator Spider and quartermaster Mr. Token, and recognizable predicaments, such as a harrowing battle at sea. But Copus truly expands the Sinclairs’ world by opening up subplots that the preceding novel merely teased. For example, there’s much more back story this time concerning Jon’s long-deceased parents, particularly his father, Weston, who worked for the government’s Office of External Affairs. Similarly, further details about the Carousel suggest its possible origin: the Kimmerii, men from the future who need the ship to return to their own time, a few centuries hence. Unfortunately, Grammy, aka Kathryn, a featured player in the last book, has a much smaller role, but new character Haley, Colin’s little sis, almost fills that void. She’s a brilliant hacker who’s close to Jon’s age, and her addition adds romantic possibilities to the story. Copus has great fun with timeline-divided culture; BlackHeart’s hilarious fascination with a Post-it Note, for example, is a standout moment. There are a few other tasty morsels as well, including a contemporary car chase; a vicious, human-sized falcon; and an ending that leaves at least two characters’ fates in question.
A sensational, exhilarating adventure that will make new readers want to read the series’ first.Pub Date: March 5, 2015
ISBN: 978-1508419204
Page Count: 386
Publisher: CreateSpace
Review Posted Online: April 16, 2015
Review Program: Kirkus Indie
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK TO SCREEN
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