This one’s all about the charming illustrations; readers will enjoy the familiar lullabies, but it’s not a seminal collection

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LULLABY & GOOD NIGHT

A board-book collection of familiar, classic lullabies and children’s rhymes.

Garland’s illustrations of a darling bunny family accompany this set of childhood favorites, from “Rock-a-Bye Baby” to “Hush, Little Baby.” Two original rhymes that share the book’s title are included as bookends to the others, both to the tune of “Hush Little Baby.” These two are, frankly, unnecessary additions, with awkward lines that pale in comparison with the others. Because the lullabies are well-known, the watercolor-and-ink illustrations really take center stage. Each spread shows the bunny mother and her two little bunnies progressing closer and closer to bedtime, reading (and acting out) the rhymes as they go. There is excellent use of repeated, echoing images, including the tree and its famous rock-a-bye branches and the moon that the cow jumped over. The animals of “Hey, Diddle, Diddle” are adorable and make for a painting that readers might wish they could hang on the wall. The collection could nicely be used as a bedtime book for young readers or simply as a one-poem-at-a-time resource—just be sure to skip the first and last.

This one’s all about the charming illustrations; readers will enjoy the familiar lullabies, but it’s not a seminal collection . (Board book. 6 mos.-4)

Pub Date: Oct. 16, 2018

ISBN: 978-1-4867-1546-6

Page Count: 20

Publisher: Flowerpot Press

Review Posted Online: Oct. 28, 2018

Kirkus Reviews Issue: Jan. 1, 2019

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An incredible connector text for young readers eager to graduate to weighty conversations about our yesterday, our now, and...

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THE UNDEFEATED

Past and present are quilted together in this innovative overview of black Americans’ triumphs and challenges in the United States.

Alexander’s poetry possesses a straightforward, sophisticated, steady rhythm that, paired with Nelson’s detail-oriented oil paintings, carries readers through generations chronicling “the unforgettable,” “the undeniable,” “the unflappable,” and “the righteous marching ones,” alongside “the unspeakable” events that shape the history of black Americans. The illustrator layers images of black creators, martyrs, athletes, and neighbors onto blank white pages, patterns pages with the bodies of slaves stolen and traded, and extends a memorial to victims of police brutality like Sandra Bland and Michael Brown past the very edges of a double-page spread. Each movement of Alexander’s poem is a tribute to the ingenuity and resilience of black people in the U.S., with textual references to the writings of Gwendolyn Brooks, Martin Luther King Jr., Langston Hughes, and Malcolm X dotting stanzas in explicit recognition and grateful admiration. The book ends with a glossary of the figures acknowledged in the book and an afterword by the author that imprints the refrain “Black. Lives. Matter” into the collective soul of readers, encouraging them, like the cranes present throughout the book, to “keep rising.”

An incredible connector text for young readers eager to graduate to weighty conversations about our yesterday, our now, and our tomorrow. (Picture book/poetry. 6-12)

Pub Date: April 2, 2019

ISBN: 978-1-328-78096-6

Page Count: 40

Publisher: Versify/HMH

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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Adults who grew up with Uncle Shelby will find themselves wiping their eyes by the time they get to the end of this...

EVERY THING ON IT

A second posthumous collection from the archives of the multitalented Silverstein is definitely a cause for celebration.

“Although I cannot see your face / As you flip these poems awhile, / Somewhere from some far-off place / I hear you laughing—and I smile.” This and 129 other poems chosen by Silverstein’s family see light here for the first time. Those vexed by the relentless spoonerisms of 2005’s Runny Babbit will delight that these buried gems are different each to each. There are tales of garlic breath and child-eating plants (and child-eating land sharks and a horse that’s pretty hungry). There are admonitions never to eat a snake (whole) or look up the chimney for Santa. The poems vary in length as much as in subject matter, running from a line or two to several pages. Silverstein’s inspired word play and impish sense of humor are in abundant evidence. His signature line drawings accompany many of the poems and complete the jokes of some. If there are one or two that feel a bit flat, the hijinks or silly grossness of the next poem more than make up for them. “When I am gone what will you do? / Who will write and draw for you? / Someone smarter—someone new? / Someone better—maybe YOU!”

Adults who grew up with Uncle Shelby will find themselves wiping their eyes by the time they get to the end of this collection; children new to the master will find themselves hooked. (Poetry. All ages)

Pub Date: Sept. 20, 2011

ISBN: 978-0-06-199816-4

Page Count: 208

Publisher: Harper/HarperCollins

Review Posted Online: July 20, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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