An immensely satisfying finale of dazzling magic, hard-earned romance, and the tragic realities of war.
Fueled by a thirst for vengeance and the powers passed on by his infamous father, Nathan fights to end a war without losing himself in this series conclusion.
Ever since his former beloved, Annalise, shot his father, Nathan has become obsessed with hunting her down. While the remaining members of the Alliance hide out in bases across the continent, he and Gabriel lie low in their own camp in a forest. Greatorex heads up the closest group of witches, and she tries to lead Nathan on the straight and narrow path to restoring balance—a path of justice rather than his recent brand of rampant killing. To end the war, Nathan must eliminate Wallend and Soul O’Brien, who run the evil Council of White Witches. But Nathan’s changed since the day he was forced to eat his own father’s heart; even Gabriel, his dearest confidant, worries he’s becoming someone to dread. Nathan must fight to protect his soul just as fiercely as he guards the people closest to him. A slow burn of a read, the last leg of Nathan’s journey is devastating and beautiful as he finds love and comes to full power. Like the best portrayals of war and its hideous aftermath, the consequences will haunt readers long after the final page.
An immensely satisfying finale of dazzling magic, hard-earned romance, and the tragic realities of war. (Fantasy. 12 & up)Pub Date: March 29, 2016
ISBN: 978-0-670-01714-0
Page Count: 410
Publisher: Viking
Review Posted Online: Dec. 15, 2015
Kirkus Reviews Issue: Jan. 1, 2016
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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