by Sally M. Keehn ‧ RELEASE DATE: May 1, 1991
Basing her dramatic first-person, present-tense narrative on historical accounts of a German-American girl who was an Indian captive for the nine years of the French and Indian War, Keehn has written a first novel that rivals Hudson's Sweetgrass (1989) in its compelling evocation of Native Americans in transition. After killing and scalping Regina's father and brother, Tiger Claws relentlessly persecutes her on the march from eastern Pennsylvania to his Ohio village. Regina's plucky sister is threatened with being burned alive before being taken away by another Indian; Regina's new ``sister'' is a child she carried on the grueling journey. After such a beginning, making the reasons for the white man's fear of the Indians palpably clear (without sensationalizing), it's a tribute to Keehn's skill that she makes Regina's ultimate sympathy for her captors entirely believable. Although Tiger Claws remains brutal and his mother Woelfin stern and unforgiving, Regina makes close friends among the other Indians and comes to understand the magnitude of their tragic losses and the whites' betrayals. Rescue, when it comes, is almost as bitter as captivity; unlike others of the 200 freed at the war's end, Regina loses neither husband nor child, but she's forced to abandon the aging Woelfin, for whom she has finally learned affection as well as responsibility, to certain death. In a poignant conclusion, Regina is among those reunited with their families; a historical afterword adds tantalizingly little. A profoundly moving evocation of a terrible experience mitigated by faith, courage, and humanity, told with simplicity, compassion and admirable restraint. Bibliography. (Fiction. 11+)
Pub Date: May 1, 1991
ISBN: 0-399-21797-5
Page Count: 240
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1991
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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PERSPECTIVES
by Renée Watson & Ellen Hagan ‧ RELEASE DATE: Feb. 12, 2019
A book that seamlessly brings readers along on a journey of impact and empowerment.
A manifesto for budding feminists.
At the core of this engaging novel are besties Chelsea, who is Irish- and Italian-American and into fashion and beauty, and Jasmine, who is African-American, loves the theater, and pushes back against bias around size (“I don’t need your fake compliments, your pity. I know I’m beautiful. Inside and out”). They and their sidekicks, half-Japanese/half-Lebanese Nadine and Puerto Rican Isaac, grow into first-class activists—simultaneously educating their peers and readers. The year gets off to a rocky start at their progressive, social justice–oriented New York City high school: Along with the usual angst many students experience, Jasmine’s father is terminally ill with cancer, and after things go badly in both their clubs, Jasmine and Chelsea form a women’s rights club which becomes the catalyst for their growth as they explore gender inequality and opportunities for change. This is an inspiring look at two strong-willed teens growing into even stronger young women ready to use their voices and take on the world, imploring budding feminists everywhere to “join the revolution.” The book offers a poetic balance of dialogue among the main characters, their peers, and the adults in their lives. The exquisite pacing, which intersperses everyday teen conflicts with weightier issues, demonstrates how teens long to be heard and taken seriously.
A book that seamlessly brings readers along on a journey of impact and empowerment. (resources for young activists, endnotes) (Fiction. 12-18)Pub Date: Feb. 12, 2019
ISBN: 978-1-5476-0008-3
Page Count: 368
Publisher: Bloomsbury
Review Posted Online: Jan. 22, 2019
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by Renée Watson ; illustrated by Sherry Shine
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by Renée Watson ; illustrated by Bea Jackson
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