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LITTLE BIRD'S DAY

Pairing a lilting text and culturally resonant illustrations, this striking work soars.

Little Bird responds to cues from Sun, Dusk, Moon, and others as natural elements guide a day of activities.

Aboriginal author Morgan, a member of the Palyku people in Western Australia, presents a beautifully cadenced call-and-response narrative voiced by Little Bird and the natural forces that propel its behavior. “Here comes Rain, / falling and splashing. / Time to bathe, Little Bird, / time to sparkle with freshness. // I flutter with Rain to wash my fuzzy feathers.” Little Bird, rising with Sun, sings “to wake the lazy sleepers.” It soars with Wind to reach and feed on a tree’s “crimson blossoms.” Dusk, “gliding and sighing,” induces Little Bird “to join a nightfall roost.” And full Moon, “glowing and whispering,” signals that it’s “Time to rest, Little Bird, / time to settle with your family.” Illustrator Malibirr, a Yolŋu artist from the Aboriginal Ganalbingu clan, uses traditional earth tones, crosshatching, and elements from clan songlines and stories to distinguish his engrossing illustrations, worked in acrylic paint on toned paper. He depicts animals from his native Arnhem Land region, from water buffalo and dingo to echidna and freshwater prawn; an illustrated key challenges readers to find all 10. As Little Bird roosts with its family, it dreams of “flying among the stars.” The dark sky, spattered with thousands of starlit specks, reveals Little Bird’s shadowy silhouette in its dreamed flight.

Pairing a lilting text and culturally resonant illustrations, this striking work soars. (editorial note) (Picture book. 3-7)

Pub Date: Oct. 5, 2021

ISBN: 978-1-73622-646-9

Page Count: 32

Publisher: Blue Dot Kids Press

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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CREEPY CRAYON!

From the Creepy Tales! series

Chilling in the best ways.

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When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.

Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)

Chilling in the best ways. (Picture book. 4-7)

Pub Date: Aug. 23, 2022

ISBN: 978-1-5344-6588-6

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: May 24, 2022

Kirkus Reviews Issue: June 15, 2022

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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