A comforting book about a cat, likely to appeal to the very young.
Author-illustrator Lee (Pop! Pop! Bam! Bam!, 2013) follows one cat through his lonely life until his owner arrives in this repetitious picture book for the very young.
A playful gray cat goes through a series of emotions and actions over the course of his day. He hides behind a fire hydrant waiting to pounce on a mouse, showing that he’s hungry. He hides beneath a dresser, expressing fear. An image of an empty chair reveals why the cat is sad. By bathing, drinking and taking a nap, the cat manages to pass the time until, at last, he’s happy in his owner’s arms. The simplistic illustrations aren’t always fully colored, but they’re kid-friendly nonetheless. Some illustrations are stronger than others; the hiding cat looks more anti-social than afraid, and the dressed-up cat (to express the concept of “fancy”) has a strangely shaped face compared to other pictures. But the image of him crawling through a yoga mat (to be “sneaky”) is a perfect representation of how felines can find the oddest places to squish themselves and amuse their owners. Some words may be challenging for newly independent readers but will be great for sounding out with parents (such as “mischievous”); others are excellent examples of action words (“slurping”). The repeated phrase “one cat,” which begins every page, will comfort independent readers by providing a recognizable phrase on each page and encourage lap readers to chime in. The opening synopsis suggests a deeper back story (the cat was a starving stray, and that’s why it begins the story hungry and afraid), but this never quite comes through in the pictures. Instead, young readers will latch onto the emotions, recognizing that they also sometimes feel lonely or afraid or silly.
A comforting book about a cat, likely to appeal to the very young.Pub Date: March 8, 2014
ISBN: 978-1495952760
Page Count: 36
Publisher: CreateSpace
Review Posted Online: May 22, 2014
Review Program: Kirkus Indie
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.
In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.
Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.Pub Date: Jan. 7, 2025
ISBN: 9781956393095
Page Count: 288
Publisher: Waxwing Books
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
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