Quite bewitching.
“Polly Proggett is terrible at spells, which is rather unfortunate when you’re a witch.”
Polly’s magical ineptitude, a source of considerable frustration, has left her without a single witch or warlock to call friend. Luckily, she has Buster, “who is kind and lovely and likes Polly no matter what.” Polly and Buster have been thick as thieves since childhood, secretly meeting every day after school in their favorite backyard tree—but there’s a problem. Buster’s a member of the monster underclass, and monsters and witches do not mix. A field trip to an art museum draws Polly closer to a popular former enemy, but everything goes awry when she runs into Buster, whom she snubs harshly. Shrinking, quite literally, under the weight of her rejection, Buster becomes the target of abuse from his classmates. A repentant Polly rushes to defend her friend, accidentally casting an extraordinarily powerful Protector spell. A twisting of events transforms Polly into a local hero, but at what cost to her cherished friendship? Rippin cultivates an emotive third-person narrative with stark simplicity. Stylistic typographical gimmicks pepper the text throughout but never detract from the flow of the story. By contrast, the pacing feels rushed at times, sometimes jarringly so, but a lively marriage of magic and mayhem makes for an easy read even as tensions between witches and monsters rise. Humanoid characters default to white. Sequel The Mystery of the Magic Stones publishes simultaneously.
Quite bewitching. (Fantasy. 7-10)Pub Date: Sept. 1, 2019
ISBN: 978-1-61067-926-8
Page Count: 288
Publisher: Kane Miller
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Cool ideas, good execution, mediocre text.
Readers are challenged to unlock the secrets of a haunted house, with the aid of a "magic glass."
"Open at your own risk!" declares a message on the inside cover of the book, just above an elegant envelope. As if this isn't spooky enough, a skeleton's arm wreathed in smoke points at the envelope from below. Inside the sealed envelope is a rectangle of plastic, 2" x 3 1/4" and 1/8" thick, bordered with a design featuring the sun and the moon. Illustrations and three pages of instructions explain how to use the lens; placing it over selected images in the book guides readers/sleuths, providing clues, code keys and answers. There are 10 two-page spreads, spooky tableaux in mostly dark hues, nicely designed by Junko Miyakoshi. These include a Ouija board; a desk with old books, a candelabra, a skull and three crystal balls (readers choose their own fates from among them); a graveyard; mystery journals; even the gates of Hades. Instructions are in verse, each about a dozen lines per spread. Some are solid enough ("The dead it seems are quite alive / Buzzing in their graveyard hive"), but most are awkward near-rhymes ("Now that you have found your ghosts / It's time to look for UFO's"). The book ends with an answer key. And a bonus! A website (TheSpiritGlass.com) with 13 more puzzles.
Cool ideas, good execution, mediocre text. (Puzzle book. 7-10)Pub Date: Oct. 25, 2011
ISBN: 978-1-934734-49-0
Page Count: 32
Publisher: Seven Footer Press
Review Posted Online: Aug. 30, 2011
Kirkus Reviews Issue: Sept. 15, 2011
BOOK REVIEW
BOOK REVIEW
Still, the intergenerational intimacy comes through clearly and should leave readers thinking about faraway relatives of...
Letters exchanged between a San Antonio child and her distant grandfather create a link that bridges miles and years in this slight but loving family story.
So strong are memories of outings together and music on a requinto (guitar) played “with an almost angelic touch” that 11-year-old Camila tries to bicycle all the way to her grandpa in Mexico. When that fails, she writes: “I have the picture of you… on my dresser and I look at it every day. Will you please write back?” Eight years later (but with just a few quick samples of a continuing correspondence), she flies down at last for a joyful reunion, returning after a long stay with the requinto as a memento. Rough-hewn, heavily brushed paintings tracking Camila’s progress to adulthood and Grandpa’s to gray-haired old age accompany narrative passages of English over Spanish. These sometimes dart across several years without transition, and the book concludes with an open-ended scene that will leave readers unsure whether Grandpa is still alive or not.
Still, the intergenerational intimacy comes through clearly and should leave readers thinking about faraway relatives of their own. . (picture glossary) (Bilingual picture book. 7-9)Pub Date: May 1, 2012
ISBN: 978-1-60448-024-5
Page Count: 24
Publisher: Lectura
Review Posted Online: March 6, 2012
Kirkus Reviews Issue: April 1, 2012
BOOK REVIEW
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