From Warner (Ellie and the Bunheads, 1997, etc.), a story about best friends separated by illness, then death, when one of them is diagnosed with leukemia. Cady and Nana have been friends since they were babies, but as the story opens, on Nana’s 12th birthday, she has cancer and Cady, the timid one, is trying to figure out what to do. She visits Nana every day, even in the hospital, even when her friend comes home to die. Cady is angry and lonely, and doesn’t understand why her parents are concerned. Both sets of parents, the nurses, doctors, and hospice workers, fill this book with words: descriptions of cancer treatment; a fairly clinical delineation of how those with leukemia may get sicker and die; and some fairly straight talk about survivor anger and guilt, how the dying feel, what happens to daily life when a loved one is dying. The information ultimately overwhelms the story: The best friends are described rather than felt, less vividly realized than Cady’s brother Russell, five, who is terrified that his sister will die, just as his pet turtle did. This is more bibliotherapeutic than story; much richer and more harrowing—although with older protagonists and for older readers—is Davida Wills Hurwin’s A Time for Dancing (1995). (Fiction. 9-12)
Pub Date: April 1, 1998
ISBN: 0-679-88648-6
Page Count: 136
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1998
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Budding billionaire Greg Kenton has a knack for making money and a serious rival. When he issues his first Chunky Comic Book at the beginning of sixth grade, his neighbor and classmate Maura Shaw produces an alternative. Their quarrel draws the attention of the principal, who bans comics from the school. But when they notice all the other commercial messages in their school, they take their cause to the local school committee. Without belaboring his point, Clements takes on product placement in schools and the need for wealth. “Most people can only use one bathroom at a time,” says Greg’s math teacher, Mr. Z. Greg gets the message; middle-grade readers may ignore it in favor of the delightful spectacle of Greg’s ultimate economic success, a pleasing result for the effort this up-and-coming young businessman puts into his work. Clements weaves intriguing information about comic book illustration into this entertaining, smoothly written story. Selznick’s accompanying black-and-white drawings have the appearance of sketches Greg might have made himself. This hits the jackpot. (Fiction. 9-12)
Pub Date: July 1, 2005
ISBN: 0-689-86683-6
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2005
A successful call for creating and imagining, even if the story itself falls short.
In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.
Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.
A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)Pub Date: Sept. 29, 2026
ISBN: 9780063515109
Page Count: 240
Publisher: Clarion/HarperCollins
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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