Memorable bedtime story targeted for an audience as large as a bull's-eye on the side of a barn. The book is catalogued for January but will be shipped to bookstores in early November for Thanksgiving sales. Few readers will not find some tie between this story of a silenced father-storyteller and Rushdie's death sentence from the Ayatollah Khomeini—but it's a tie not stressed by the author. Perhaps the brightest aspect of the book is its bubbling good humor and witty dialogue, and then its often superb writing: "There was once, in the country of Alifbay, a sad city, the saddest of cities, a city so ruinously sad that it had forgotten its name. It stood by a mournful sea full of glumfish, which were so miserable to eat that they made people belch with melancholy even though the skies were blue." (Alifbay, the glossary here tells us, comes from the Hindustani word for "alphabet.") The story: In the town of K, the Shah of Blah, Rashid Khalifa, a renowned storyteller and the father of Haroun, is deserted by his wife exactly at 11:00 a.m. and loses his power to tell stories. Haroun too loses the power to concentrate longer than 11 minutes. What's more, he insults his father's stories, calling them untrue, but then feels deep guilt for adding to his father's despair. In a P2C2E (a Process Too Complicated To Explain), it seems that most of Rashid's problems are part of the Great Story Sea becoming polluted and the Supplier of Story Water shutting down Rashid's supply. As a Water Genie explains to Haroun: "The gentleman no longer requires the service; has discontinued narrative activities, thrown in the towel, packed it in. He has cancelled his subscription: Hence my presence, for purposes of Disconnection." Which is the typical tumbling Rushdie jumpcat spoken by all and by Miss Blabbermouth, otherwise known as the Princess Batcheat Chattergy (batcheat= "baat-cheet" or chitchat), held prisoner in the Citadel of Chup, a castle built entirely of black ice. Parted from Rashid, Haroun on his own fights Khattum-Shud, who shuts down stories, and purifies the story waters in the Ocean of the Stream of Stories. A strong winner, though the storyline fades in and out of the prose—a fault that may pass unnoticed if the book's not read in one sitting.
Pub Date: Jan. 1, 1990
ISBN: 0140157379
Page Count: 224
Publisher: Granta/Viking
Review Posted Online: Oct. 4, 2011
Kirkus Reviews Issue: Jan. 1, 1990
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
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