A grand entertainment, in a tale with many strands, by an ascended master of modern legends.
Rushdie returns to the realm of magic realism and to the India of his birth.
Vijayanagar, or Victory City, was a real place, the seat of a powerful empire that occupied most of southern India. Rushdie borrows from history to depict siblings and their families who’d stop at little to gain power; as one of his interlocutors, a European explorer, spits, “I wrote in my journal that Deva Raya and his murderous brothers only cared about getting drunk and fucking. I should have added, and killing one another.” Rushdie places this history within a web of mythology: His Vijayanagar is the creation of a goddess-channeling girl named Pampa Kampana, most of whose 247-year-long life is devoted to creating the city, populating it, and then trying, usually to little avail, to keep the place from falling into chaos. Pampa has a mission: Witnessing her mother’s purdah, she is resolved to “laugh at death and turn her face toward life.” Alas, she learns, life is complicated and, as Rushdie winks, “deity’s bounty was always a two-edged sword.” Like Pampa Kampana, Rushdie has a fine old time of worldbuilding, creating a vast space in which glittering palaces and smoky temples stand in contrast with mangroves and wildernesses ruled by “tigers as big as a house.” Throughout, Pampa moves between royals, having “achieved the unusual feat of being queen...in two successive reigns, the consort of consecutive kings, who were also brothers,” while taking time to craft a verse epic recounting her creation—an epic that, as will happen, is lost for centuries. Rushdie reflects throughout on the nature of history and storytelling, with Pampa Kampana’s creations learning who they are only through the “imaginary narrative” that is whispered to them as they sleep and with Vijayanagar’s rulers, along with their subjects, the victims of historical amnesia who “exist now only in words.
A grand entertainment, in a tale with many strands, by an ascended master of modern legends.Pub Date: Feb. 7, 2023
ISBN: 978-0-593-24339-8
Page Count: 352
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
SEEN & HEARD
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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