A grand entertainment, in a tale with many strands, by an ascended master of modern legends.
Rushdie returns to the realm of magic realism and to the India of his birth.
Vijayanagar, or Victory City, was a real place, the seat of a powerful empire that occupied most of southern India. Rushdie borrows from history to depict siblings and their families who’d stop at little to gain power; as one of his interlocutors, a European explorer, spits, “I wrote in my journal that Deva Raya and his murderous brothers only cared about getting drunk and fucking. I should have added, and killing one another.” Rushdie places this history within a web of mythology: His Vijayanagar is the creation of a goddess-channeling girl named Pampa Kampana, most of whose 247-year-long life is devoted to creating the city, populating it, and then trying, usually to little avail, to keep the place from falling into chaos. Pampa has a mission: Witnessing her mother’s purdah, she is resolved to “laugh at death and turn her face toward life.” Alas, she learns, life is complicated and, as Rushdie winks, “deity’s bounty was always a two-edged sword.” Like Pampa Kampana, Rushdie has a fine old time of worldbuilding, creating a vast space in which glittering palaces and smoky temples stand in contrast with mangroves and wildernesses ruled by “tigers as big as a house.” Throughout, Pampa moves between royals, having “achieved the unusual feat of being queen...in two successive reigns, the consort of consecutive kings, who were also brothers,” while taking time to craft a verse epic recounting her creation—an epic that, as will happen, is lost for centuries. Rushdie reflects throughout on the nature of history and storytelling, with Pampa Kampana’s creations learning who they are only through the “imaginary narrative” that is whispered to them as they sleep and with Vijayanagar’s rulers, along with their subjects, the victims of historical amnesia who “exist now only in words.
A grand entertainment, in a tale with many strands, by an ascended master of modern legends.Pub Date: Feb. 7, 2023
ISBN: 978-0-593-24339-8
Page Count: 352
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
SEEN & HEARD
A compelling and skillfully written end to a thrilling fantasy series.
In the final book of Corland’s dark fantasy trilogy, a ragtag band works together to liberate a colony and dethrone tyrants.
A group of spies, thieves, and murderers, united by a common goal of ending the treacherous rule of King Joon of Yusan, regroup after a bloody battle claims the life of one of their own—the banished Yusanian prince, Euyn. However, there’s little time for Mikail, Aeri, Sora, and Royo to mourn. Bounty hunters and assassins are after them, in part because they now possess three of five legendary Relics of the Dragon Lord. Mikail, who’s just found out that he’s the last surviving member of a royal family, wields the Water Scepter of Wei, while Aeri, King Joon’s daughter, holds the Sands of Tim and the Golden Ring of Khitan. The remaining relics—the Flaming Sword of Gaya and the Immortal Crown—remain with King Joon, who’s desperate to have all five to wield a great deal more power. Meanwhile, the cruel Count Seok, who once indentured Sora, has usurped the throne of Yusan. The group has two goals: overthrow the king and liberate the Yusanian colony of Gaya—Mikail’s homeland—so that it can again be a thriving, independent realm. The relics are powerful tools in combat, but using them is adversely affecting Aeri and Mikail’s health. They need allies, but trusting strangers is a dangerous gamble. Corland’s final book in her Broken Blades trilogy is a relentlessly thrilling and action-packed dark fantasy featuring memorable characters, intense battle scenes, romance, and a satisfying conclusion. Alternately narrated by Aeri, Mikail, Sora, Royo, and their long-lost friend, Tiyung, readers benefit from watching the story unfold through the perspectives of each compelling, well-drawn character. The author’s passion for the fantasy genre shines through in the novel’s richly detailed worldbuilding, including vivid descriptions of landscapes and palace layouts, as well as its exploration of magic. Readers will also delight in the sardonic humor sprinkled throughout, as when Mikahil narrates, “Rune thinks he fathered Seok’s son. Truly, the nobility of Yusan has too much time on their hands.”
A compelling and skillfully written end to a thrilling fantasy series.Pub Date: July 15, 2025
ISBN: 9781649379153
Page Count: 512
Publisher: Entangled: Red Tower Books
Review Posted Online: May 19, 2025
Kirkus Reviews Issue: July 15, 2025
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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